Has to be said: It hits all the right notes.
DiCamillo and illustrator Van Dusen collaborate again, this time on a holiday story that includes their beloved porcine heroine, Mercy Watson.
Though Stella, who lives next door to the Watsons, is determined to spread spur-of-the-moment Christmas spirit, when she goes door to door asking for neighbors to go caroling with her, no one is willing except for Mercy, General Washington the cat, and Maybelline the horse. The quartet’s loud and “not very musical” version of “Deck the Halls” brings out the neighbors for an accordion concert and an impromptu merry feast. In any other hands, this story might be too saccharine, but thanks to DiCamillo’s quirky and endearing characters and subtle use of scene, it feels like a bit of Christmas magic. Van Dusen’s distinct rosy-cheeked characters give life to the uniquely named neighbors. Perhaps the most powerful illustration shows the group hand in hand looking up at the stars. Readers’ perspective is from below them, forcing the eye up and into the beautiful night “above the tired and hopeful earth,” a pitch-perfect pairing with DiCamillo’s poetic text. This celebration of community lit from the spark of just one joyful child anchors this familiar, warm story. Stella is biracial, and most of her neighbors are light-skinned. (This book was reviewed digitally.)
Has to be said: It hits all the right notes. (Picture book. 4-7)Pub Date: Sept. 27, 2022
ISBN: 978-1-5362-1360-7
Page Count: 32
Publisher: Candlewick
Review Posted Online: Aug. 16, 2022
Kirkus Reviews Issue: Sept. 1, 2022
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
SEEN & HEARD
SEEN & HEARD
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