A mordantly wry examination of one disgruntled man’s life.
A novel about the fragility of millennial masculinity.
Greathead’s novel chronicles the eponymous George’s life from childhood to early middle age. The book begins with George’s mother criticizing his father’s spending habits at 12-year-old George’s graduation from a drug-abuse-resistance program. George is aware of his father’s financial shortcomings as well as his mother’s contempt. While he watches Jackass with his sister, he can’t help but feel “implicated in his mother’s disgust with lowbrow contemporary culture, as though he were somehow responsible for it by being a member of the generation it was directed toward.” This disgust for lowbrow culture is also a disgust for performances of masculinity that are neither nice nor successful. When his father dies a few years later of a stroke, George is suspicious of people who exude naïveté or optimism. “Their cheery innocence,” he reflects, “was like an abrasive on a wound.” As George comes of age, he develops an on-again, off-again relationship with a woman named Jenny, who loves him openly, though he will not, at first, say it back. He exhibits outbursts of anger and is so critical of others that Jenny tells him, “Some people go through life trying to build others up….You like to poke holes.” Though George can be unlikable, he is self-aware. “George had been feeling like a loser recently,” Greathead writes toward the end, though he’s been behaving like one for some time. Ultimately, it’s unclear what George wants out of life or how he plans to succeed without leaning on his girlfriend, sister, or mother financially and emotionally. Greathead’s portrayal of an aggrieved white man struggling to find his place in the world is as much a portrait of an unsuccessful artist as a young man as it is a portrait of our times.
A mordantly wry examination of one disgruntled man’s life.Pub Date: Oct. 8, 2024
ISBN: 9781250351029
Page Count: 272
Publisher: Henry Holt
Review Posted Online: July 19, 2024
Kirkus Reviews Issue: Aug. 15, 2024
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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