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A LADY HAS THE FLOOR

BELVA LOCKWOOD SPEAKS OUT FOR WOMEN'S RIGHTS

An excellent, well-researched model of its genre that will inspire children to do whatever they desire in life, no matter...

Belva Lockwood was a teacher, a lawyer (first woman to enter the bar of the U.S. Supreme Court), a suffragist, and a presidential candidate.

This remarkable woman stands out for many reasons, including her two presidential campaigns in 1884 and 1888. Belva’s awareness of women’s issues came early. She became a teacher at 14 but found out that she was only paid half of a man’s salary. Later, her father did not want her to attend college (even though she was 24, already a widow and a mother), and the college she attended did not want her to study what were traditionally men’s subjects: “math, science and politics.” Law school proved to be an even bigger challenge. After she was finally allowed to attend, she was denied a diploma upon graduation and had to demand it from President Ulysses S. Grant (also the president of the law school). She is also known for winning a major Supreme Court case on behalf of the Cherokee nation. This is an engaging introduction to a woman unknown to many, young and old, giving some insight into her adventurous personality. In one illustration, the white woman rides a penny-farthing bicycle (in her floor-length skirt), just like the male lawyers in Washington, D.C. Her quotes are integrated into the illustrations, executed in oils with a crackle varnish, with a look reminiscent of 19th-century folk art. Soft blues and browns predominate in the naïve paintings, lending to their antique appearance.

An excellent, well-researched model of its genre that will inspire children to do whatever they desire in life, no matter what immediate restrictions exist. (author’s note, timeline, bibliography, source notes) (Picture book/biography. 8-11)

Pub Date: Jan. 30, 2018

ISBN: 978-1-62979-453-2

Page Count: 32

Publisher: Calkins Creek/Astra Books for Young Readers

Review Posted Online: Nov. 12, 2017

Kirkus Reviews Issue: Dec. 1, 2017

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MARCEL MARCEAU

MASTER OF MIME

At its best when the emphasis is on the skill and artistry of Mime’s most accomplished practitioner—alas, too much of the...

The legendary mime is introduced to a new generation, though not entirely successfully.

As a child, Marceau loved to silently entertain his friends, like his idol, Charlie Chaplin. During the Nazi occupation of France, Marcel and his brother took on new identities in the French Underground, where they forged documents for Jewish children and helped many to escape to Switzerland. Spielman assumes that her young audience will understand references to deportation and concentration camps; unfortunately for those that don't, her matter-of-fact tone speaks more of adventure than deadly peril. Her tone subtly changes when she lovingly describes Marceau’s training and development as a mime and his stage persona of Bip the clown, admiring his skills in the “art of silence” that won him international renown. But here too, comparisons to the Little Tramp and Pierrot may be outside readers’ frame of reference. Though the illustrations carefully complement the textual content with period details, Gauthier’s cartoon faces are all nearly identical, with only the screen image of Chaplin and Marceau’s Bip having distinctive features. A double-page spread at the conclusion provides photographs of Bip in action and is the only clear indication of Marceau’s stagecraft.

At its best when the emphasis is on the skill and artistry of Mime’s most accomplished practitioner—alas, too much of the book looks elsewhere. (Picture book/biography. 8-10)

Pub Date: Sept. 1, 2011

ISBN: 978-0-7613-3961-8

Page Count: 32

Publisher: Kar-Ben

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: Aug. 15, 2011

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JACKIE ROBINSON

AMERICAN HERO

It’s an often-told story, but the author is still in a position to give it a unique perspective.

The author of Promises to Keep: How Jackie Robinson Changed America (2004) tells her father’s tale again, for younger readers.

Though using a less personal tone this time and referring to herself in the third person, Robinson still devotes as much attention to his family life, youth and post-baseball career as she does to his achievements on the field. Writing in short sentences and simple language, she presents a clear picture of the era’s racial attitudes and the pressures he faced both in the military service and in baseball—offering plenty of clear reasons to regard him not just as a champion athlete, but as a hero too. An early remark about how he ran with “a bunch of black, Japanese, and Mexican boys” while growing up in Pasadena is insensitively phrased, and a sweeping claim that by 1949 “[t]he racial tension was broken” in baseball is simplistic. Nevertheless, by and large her account covers the bases adequately. The many photos include an admixture of family snapshots, and a closing Q-and-A allows the author to announce the imminent release of a new feature film about Robinson.

It’s an often-told story, but the author is still in a position to give it a unique perspective. (Biography. 8-10)

Pub Date: March 1, 2013

ISBN: 978-0-545-54006-3

Page Count: 48

Publisher: Scholastic

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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