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NOTHING IN COMMON

A quiet adventure for youth searching for human connection and kindness.

Two children who live separate but seemingly parallel lives reunite a lost dog with its owner and, in doing so, discover the marvelousness in each other.

Two apartment buildings—one blue, one red—stand apart, a void of white in between. In each edifice, a child sits in a window. Neither acknowledges their counterpart, assuming they have nothing in common. But they both find joy in watching an old man walk his dog every day; and both feel heartache when the dog is lost; and both search for the dog, charting the same course. In finding the pup, the two find each other—kindred spirits who share more than just a view. The last spread emphasizes this connection, as the children wave to each other from their apartment-building windows, this time not over a white chasm but across a shared, star-filled sky. Luyken distinguishes the beige-complexioned children with color blocking, from one child’s blue overalls and waterfall of midnight-blue tresses to the other’s tuft of black-red hair and red clothes. The pale palette of assigned colors allows each character to be distinguishable even as a silhouetted shadow. Rough-textured paper is used to create additional layers. At times, both text and art feel labored in their search for whimsy; however, many readers may still delight in the connection these two apparent preteens find.

A quiet adventure for youth searching for human connection and kindness. (Picture book. 6-8)

Pub Date: Sept. 15, 2020

ISBN: 978-0-544-77478-0

Page Count: 40

Publisher: HMH Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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WAITING IS NOT EASY!

From the Elephant & Piggie series

A lesson that never grows old, enacted with verve by two favorite friends

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 4, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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FIELD TRIP TO THE MOON

A close encounter of the best kind.

Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.

While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.

A close encounter of the best kind. (Picture book. 6-8)

Pub Date: May 14, 2019

ISBN: 978-0-8234-4253-9

Page Count: 40

Publisher: Margaret Ferguson/Holiday House

Review Posted Online: Feb. 5, 2019

Kirkus Reviews Issue: March 1, 2019

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