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NOT HUNGRY

Rhythm, repetition, and carefully crafted writing relate the challenges of a teen girl reluctant readers would love to...

Free verse provides an introspective voice for a teen struggling with an eating disorder.

Unhappy with her weight, June engages in severe dieting and keeps her determined attempts to starve herself secret. When Toby moves in next door, she learns he has his own private shame. Consequently, he keeps his relationship with June hidden and separate from his life as a popular basketball player. While June tries to binge and purge her way to thinness, she still sees the beauty in her own plus-sized sister, Mae, and awaits the day Mae sees it, too. Quinn (Down With the Shine, 2016, etc.) reveals what her characters want to hide as readers hope for a righteous ending. The physical layout of the text conveys profound truths about friendship, loyalty, and payback in accessible language that never obstructs the power of the message. Conversations are italicized, and lines that slip and slide, stagger and indent quietly communicate all the drama of high school to readers. Parents are inconsequential as the teens navigate societal expectations while trying desperately not to let their masks slip. Exquisite writing allows each poem to be savored individually as readers find bits of themselves reflected in the situations and characters and cheer on the unlikely hero. Characters are presumed white.

Rhythm, repetition, and carefully crafted writing relate the challenges of a teen girl reluctant readers would love to befriend. (Verse novel. 14-18)

Pub Date: Aug. 1, 2019

ISBN: 978-1-5383-8270-7

Page Count: 200

Publisher: West 44 Books

Review Posted Online: June 9, 2019

Kirkus Reviews Issue: July 1, 2019

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

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  • New York Times Bestseller

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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