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FOREIGN GROUND

STORIES

A historically rich chronicling of private suffering across time, strata, and space.

In this collection of short stories, a varied cast of characters navigates the trauma of trying to reconcile past with present.

Some tales in Kasten’s (Better Days, 2013, etc.) collection address the ways in which lives in lands that are literally foreign to one another elude harmony. Professor Li Da-Ming weathers the overwhelming task of pursuing a competitive job opportunity in America while past horrors of the Chinese Cultural Revolution stir within him. An old woman finds herself flooded by memories of the Guatemalan civil war and the Mayan ruins of Tikal while babysitting in America. In one particularly breathtaking story, a boy growing up in World War II-ravaged Germany longs to be a soldier until, years later, he goes to war in Vietnam and is confronted by the “dazed, numb, animal stupidity” of doing so. Other tales are not immigrant stories, but they do address the ways in which past lives are rendered foreign lands by present disturbances. A Midwestern man and his family embark on the same trip he took to New Mexico as a bachelor and despairs when it fails to go as planned. An American veteran watches his cancer-ridden wife approach death and becomes hounded by memories of unprocessed loss. An old man joins a writing workshop and—unanticipatedly—revisits a heartbreaking childhood episode that he cannot bring himself to put on paper. As a whole, the collection swells with heart-rending tension. Kasten’s decision to allow these traumatic stories to find space in her prose—which is lovely and richly detailed—but not necessarily in the exterior lives of the formidably diverse characters is affecting. Further, the author’s expanse of historical knowledge is impressive. The opportunity to dip into an intimate day in the life of each pocket of history she writes about becomes an engrossing adventure for readers. That said, many of the tales’ endings feel either hastened, unfinished, or as if they are working too hard to make story titles relevant, an authorial maneuver that sells these otherwise powerful works short.

A historically rich chronicling of private suffering across time, strata, and space.

Pub Date: May 30, 2018

ISBN: 978-0-692-09162-3

Page Count: 213

Publisher: Islet Press

Review Posted Online: May 25, 2018

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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