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ORDINARY EQUALITY by Kate Kelly

ORDINARY EQUALITY

The Fearless Women and Queer People Who Shaped the U.S. Constitution and the Equal Rights Amendment

by Kate Kelly ; illustrated by Nicole LaRue

Pub Date: March 1st, 2022
ISBN: 978-1-4236-5872-6
Publisher: Gibbs Smith

Twelve profiles of courageous American women, pre-Revolution to the present.

“We often say that America was founded on July 4, 1776—but, really, 1776 was just the year a bunch of rich white guys wrote a breakup letter to King George, saying his American colonies were tired of being England’s side hustle (the Declaration of Independence)," writes Kelly near the beginning of this book, based on her podcast of the same name. The author collaborates with graphic designer and illustrator LaRue to recount the stories of little-known figures like Molly Brant, a Mohawk leader in British New York; playwright Mercy Otis Warren; and Belinda Sutton, an enslaved woman who successfully petitioned for her own emancipation; as well as more familiar names like Abigail Adams, Phillis Wheatley, and Ruth Bader Ginsburg. Kelly has an eye for interesting details and a gift for phrasemaking. Who knew that the Fugitive Slave Act has the distinction of being "the first and only time the Founders used the pronoun ‘she’ in the Constitution”? Or that the contribution to women's suffrage of Matilda Joslyn Gage, who began as a teenage abolitionist, was erased by "Mean Girl" Susan B. Anthony? Kelly also introduces us to Anna Pauline "Pauli" Murray, likely the first trans activist, referred to here with they/them pronouns, "an attempt to avoid misgendering a person who contributed so much to the cause of gender equality." Sidebars cover key concepts and historical figures, including Gandhi, Title IX, and that ignominious "foot soldier of the patriarchy" Phyllis Schlafly. "Even after all her extensive groundwork building a political network of conservative women and helping to shape the new religious right as a political force,” writes Kelly, “Phyllis was still denied the Cabinet position she expected in the Ronald Reagan Administration.” What a shame.

A fun, vibrant work perfectly suited to its intended audience: a potential new generation of ERA activists.