by Kate Manne ‧ RELEASE DATE: Aug. 11, 2020
A well-meaning but myopic view of sexual double standards in the U.S. and how they hurt women.
A Cornell University feminist philosopher takes aim at male privilege in the age of #MeToo.
Building on the ideas from her previous book, Down Girl: The Logic of Misogyny, Manne expands her critique of “himpathy,” her word for the sympathy given to “powerful and privileged boys and men who commit acts of sexual violence or engage in other misogynistic behavior.” She’s likely to make few converts, though, with a book that preaches too heavily to the progressive choir. Manne draws on decades of studies showing that Americans judge women more harshly than similarly or less competent men, which may interest Gen-Z readers more than their elders, most of whom will be familiar with much of the research. A larger problem is the air of special pleading. Manne argues that many men have “an unwarranted sense of entitlement”—exemplified by mansplaining, male hostility in online “incel” (“involuntary celibate”) forums, and Brett Kavanaugh’s “aggrieved, belligerent, and, at times, borderline unhinged conduct” at his Supreme Court confirmation hearings—while women are often deprived of “their genuine entitlement” to things such as political clout and adequate pain relief from doctors. Without convincingly reconciling those two positions, the author’s polemical case also takes a shortsighted view of sexual double standards, genuflecting before recent feminist scholarship (from Patricia Hill Collins, Tressie McMillan Cottom, Kimberlé Crenshaw, and others) and academic orthodoxies while ignoring landmarks like Simone de Beauvoir’s The Second Sex and Shulamith Firestone’s The Dialectic of Sex. It’s striking that this book—appearing just before the Aug. 26 centennial of women’s suffrage—says so little about the contributions of earlier generations of feminists or philosophers. Hopefully in her next book Manne will extend her range and build on the potential she showed in Down Girl.
A well-meaning but myopic view of sexual double standards in the U.S. and how they hurt women.Pub Date: Aug. 11, 2020
ISBN: 978-1-984826-55-8
Page Count: 288
Publisher: Crown
Review Posted Online: May 12, 2020
Kirkus Reviews Issue: June 1, 2020
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by Kate Manne
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
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