GILDED MOUNTAIN

Everything old is (unfortunately) new again.

Echoes of current social problems resonate throughout Manning’s extensively researched saga of a young woman’s life in a Colorado mining town at the turn of the 20th century. Teenage Sylvie Pelletier’s family is forced to relocate from Vermont to Colorado after her father runs afoul of anti-union sentiments at his marble quarrying job. Naïvely, Sylvie looks forward to a more unfettered existence in Colorado, a thought which is quashed almost from the outset of her life there. The economic realities of working-class life in a company town are harsh, and winters in that setting are almost unendurable. After finishing school, Sylvie obtains a job as a jack-of-all-trades at the town’s newspaper, an opportunity which allows her a small measure of independence and income while opening her eyes to the value of an uncensored press. Soon, she is hired as a secretary by the dilettantish trophy wife of the mining company’s owner, a position which allows her an insider’s view of the family’s opulent lifestyle and deplorable labor and social practices. As the mine’s workers become increasingly militant about union organization in the face of their exploitation, Sylvie must reconcile her infatuation with the whimsical yet troubled heir to the mining fortune with her familial obligations (and an attraction to a labor organizer!). Issues of race relations and the toxic legacy of slavery figure prominently in the narrative, as do questions about the legitimacy of unions, corporate and workplace regulation, and the privatization of police functions (via the employment of murderous Pinkerton guards by the mine owners). Manning’s bildungsroman not only provides a clear portrait of her young heroine; it captures the intensity of an unsettled time and place in American history.

Manning’s historical fiction entertains and instructs.