A deserving tribute to a designer who wanted only the best.
With flowers and fancy fabrics, Black fashion designer Ann Lowe created gowns for the rich and famous, breaking color barriers in dress design.
Messner and Powell chronicle Lowe’s story; from her Alabama childhood in a dressmaking family to a salon on New York City’s Madison Avenue, it’s a life of breaking racial barriers, where ugly incidents contrast with the soft fabrics, delicate lace, and sparkles. In New York in 1917, she took sewing lessons at the S.T. Taylor School but was forced to sew in a separate room, away from the White students. For years, her employers didn’t credit her work. Lowe is most famous for her dresses for Jacqueline Kennedy’s wedding, but even this climactic achievement is balanced with an account of confronting racism in her life—when Lowe arrived to deliver the dresses, she was told to use the back door but refused, threatening to take the gowns with her if she wasn’t allowed in through the front entrance. Fittingly, the final spread shows a triumphant Lowe with her own shop, where her name will appear on the labels as well as the door. Robinson’s digital art, full of textures, curves, and color, is perfectly suited to the subject, while Messner and Powell’s evocative, often alliterative text begs to be read aloud. (Powell had written her thesis on the designer and was in the process of organizing a museum exhibit of her gowns when she died.) (This book was reviewed digitally.)
A deserving tribute to a designer who wanted only the best. (author’s note, quotations, bibliography) (Informational picture book. 5-10)Pub Date: Oct. 18, 2022
ISBN: 978-1-4521-6160-0
Page Count: 56
Publisher: Chronicle Books
Review Posted Online: Sept. 13, 2022
Kirkus Reviews Issue: Oct. 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
PERSPECTIVES
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
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