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THE RACONTEUR'S COMMONPLACE BOOK

From the Greenglass House series

Deliciously immersive and captivating.

Rain pours down and waters rise as a group of travelers, trapped by the weather in an inn above the river Skidwrack, tell stories.

Twelve guests plus innkeeper, maid, and neighbor Phineas Amalgam (compiler of these tales, according to the title page) make up the company of 15, including one child, Maisie, who is traveling alone. The stories, part morality tales and part facets of a drawing-room mystery, suggest a hidden conversation among the assembly: supplicating, surmising, interpreting, warning. Each guest is matched with an activity: dancing, building with cards, whittling, offering cigars, binding papers into books. Milford’s rich, complex language hints of magic and connection, of interwoven fates and tragedies. The stories celebrate patterns, numbers, marvelous inventions, puzzles, and possibilities. Several stories of peddlers, choices, crossroads, and arcane clockwork devices point to the mystery, and maps, keys, and music figure prominently. Madame Grisaille, Maisie, Petra, and Gregory Sangwin have darker skin while others are assumed White or, in the cases of the beautiful young man Sullivan and the tattooed brothers Negret and Reever, possibly other than human. The inn is full of its own secrets. Its rooms and layout will feel familiar to Greenglass House fans, but it’s set earlier in time, with a steampunk focus on cartography, gearwork, and combustion. At times wryly humorous and at others marvelously unnerving and superbly menacing, this novel delights.

Deliciously immersive and captivating. (Mystery. 9-14)

Pub Date: Feb. 23, 2021

ISBN: 978-1-328-46690-7

Page Count: 384

Publisher: Clarion Books

Review Posted Online: Nov. 26, 2020

Kirkus Reviews Issue: Dec. 15, 2020

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THE LION OF LARK-HAYES MANOR

A pleasing premise for book lovers.

A fantasy-loving bookworm makes a wonderful, terrible bargain.

When sixth grader Poppy Woodlock’s historic preservationist parents move the family to the Oregon coast to work on the titular stately home, Poppy’s sure she’ll find magic. Indeed, the exiled water nymph in the manor’s ruined swimming pool grants a wish, but: “Magic isn’t free. It cosssts.” The price? Poppy’s favorite book, The Lion, the Witch, and the Wardrobe. In return she receives Sampson, a winged lion cub who is everything Poppy could have hoped for. But she soon learns that the nymph didn’t take just her own physical book—she erased Narnia from Poppy’s world. And it’s just the first loss: Soon, Poppy’s grandmother’s journal’s gone, then The Odyssey, and more. The loss is heartbreaking, but Sampson’s a wonderful companion, particularly as Poppy’s finding middle school a tough adjustment. Hartman’s premise is beguiling—plenty of readers will identify with Poppy, both as a fellow bibliophile and as a kid struggling to adapt. Poppy’s repeatedly expressed faith that unveiling Sampson will bring some sort of vindication wears thin, but that does not detract from the central drama. It’s a pity that the named real-world books Poppy reads are notably lacking in diversity; a story about the power of literature so limited in imagination lets both itself and readers down. Main characters are cued White; there is racial diversity in the supporting cast. Chapters open with atmospheric spot art. (This review has been updated to reflect the final illustrations.)

A pleasing premise for book lovers. (Fantasy. 9-12)

Pub Date: May 2, 2023

ISBN: 9780316448222

Page Count: 320

Publisher: Little, Brown

Review Posted Online: Feb. 24, 2023

Kirkus Reviews Issue: March 15, 2023

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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