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THE SPIRES

Reliable suburban creepiness for some night when you already can’t sleep.

A grim trauma from 20 years ago returns in the person of an old friend who survived it to wreak vengeance on a strong heroine who turns out to be surprisingly vulnerable.

Penelope Ritter Cox used to have it all—congenial job, successful husband, perfect children, established New Jersey home—but her yield went down to maybe 70% when Brett Cox’s insurance firm went bankrupt and he lost his job. Now things are getting worse on a daily basis. The slide begins the day Willamena Blaine turns up uninvited on Penelope’s doorstep, pleading for Pip (a nickname Penelope loathes) to take her in because she’s fled her abusive husband, Trent, and has nowhere else to go. Penelope hasn’t seen Willa since their gap year after graduating from the University of Pennsylvania, which they spent sharing a disused church with charming, abrasive Jack Avila, asexual virgin Bree Haren, and Bree’s male friend Flynn Lockhart. The year ended badly when a fire in Church House claimed the life of one of its tenants, an incident Penelope secretly has good reason to feel guilty about. Once she’s grudgingly allowed Willa into her house, her old buddy wastes no time in poking around among her belongings, wearing her jewelry, encouraging Penelope’s children to confide in her, and seducing Jaime Heller, the widowed neighbor and friend Penelope’s developed a crush on. Moretti, who’s plowed this territory before, amps up the betrayals inch by inch until you’re wondering if things can possibly get worse. They absolutely can, and not just because of that anticlimactic secret Moretti reveals in a carefully calibrated series of flashbacks.

Reliable suburban creepiness for some night when you already can’t sleep.

Pub Date: Sept. 21, 2021

ISBN: 978-1-5420-2171-5

Page Count: 333

Publisher: Thomas & Mercer

Review Posted Online: June 28, 2021

Kirkus Reviews Issue: July 15, 2021

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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ERUPTION

Red-hot storytelling.

Two master storytellers create one explosive thriller.

Mauna Loa is going to blow within days—“the biggest damn eruption in a century”—and John “Mac” MacGregor of the Hawaiian Volcano Observatory leads a team trying to fend off catastrophe. Can they vent the volcano? Divert the flow of blistering hot lava? The city of Hilo is but a few miles down the hill from the world’s largest active volcano and will likely be in the path of a 15-foot-high wall of molten menace racing toward them at 50 miles an hour. “You live here, you always worry about the big one,” Mac says, and this could be it. There’s much more, though. The U.S. Army swoops in, and the chairman of the Joint Chiefs of Staff personally “drafts” Mac into the Army. Then Mac learns the frightening secret of the Army’s special interest in Mauna Loa, and suddenly the stakes fly far, far beyond Hilo. Perhaps they can save the world, but the odds don’t look good. Readers will sympathize with Mac, who teaches surfing to troubled teens and for whom “taking chances is part of his damned genetic code.” But no one takes chances like the aerial cowboy Jake Rogers and the photographer who hires him to fly over the smoldering, burbling, rock-spitting hellhole. Some of the action scenes will make readers’ eyes pop as the tension continues to build. As with any good thriller, there’s a body count, but not all thrillers have blackened corpses surfing lava flows. The story is the brainchild of the late Crichton, who did a great deal of research but died in 2008 before he could finish the novel. His widow handed the project to James Patterson, who weaves Crichton’s work into a seamless summer read.

Red-hot storytelling.

Pub Date: June 3, 2024

ISBN: 9780316565073

Page Count: 432

Publisher: Little, Brown

Review Posted Online: June 20, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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