Though the climactic revelation feels contrived, Morton’s characters and their predicaments are affecting, and she recreates...
In Australian author Morton’s atmospheric first novel, a 98-year-old woman recollects her unwitting role in a fatal deception.
Grace, a prominent former archeologist, is living out her waning years in a British nursing home, when an American filmmaker, Ursula, asks her to consult on a movie about the scandalous 1924 suicide of a poet during a lavish soirée at Riverton, a country estate where Grace once served as parlor maid to the Hartford family. Extended flashbacks excavate the mysteries that surround Grace almost from the first. Why did Grace’s mother, herself a servant at Riverton before leaving under a cloud, send her 14-year-old daughter to work there? Who is Grace’s father? The domestic servant is a convenient expository device: Grace can eavesdrop on every Hartford family crisis. Hannah, her sister Emmeline and brother David occasionally visit Riverton, owned by their uncle, Lord Ashbury. Their father, Frederick, the second son, is an automobile pioneer. But World War I upends the destinies of the Hartford clan. David, his schoolmate Robbie and Grace’s heartthrob, Alfred, a footman, all go to fight. David is killed, Robbie drops out of sight and Alfred suffers shell shock. The war also claims the lives of Lord Ashbury and his eldest son, and Frederick inherits the title. Frederick’s business is mortgaged to American bankers, the Luxtons, who force a sale of his factory. To Frederick’s chagrin, Hannah marries Luxton scion Teddy, who, after flirting briefly with bohemian ways, reverts to stodgy banker-hood. Languishing in London while her estranged father lets Riverton decay, Hannah relies increasingly on Grace, now her personal maid. Hannah’s mistaken assumption that Grace knows shorthand leads both to make a tragic error in judgment. Meanwhile, Robbie resurfaces, his psyche scarred by war. Although ostensibly courting Emmeline, Robbie is drawn into an adulterous affair with Hannah that proves his undoing.
Though the climactic revelation feels contrived, Morton’s characters and their predicaments are affecting, and she recreates the period with a sure hand.Pub Date: April 22, 2008
ISBN: 978-1-4165-5051-8
Page Count: 480
Publisher: Atria
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2008
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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