This comedic take on the vampire romance has one too many moving parts.
When a hotel manager gets dropped into the world of her favorite book series, everything she thinks she knows about its so-called villain is flipped upside-down.
Tess Rosenbloom hasn’t had much of a life recently. Working the night shift at a Brooklyn hotel helps her manage the chronic insomnia she’s been dealing with ever since a traumatic experience caused her to drop out of grad school. The only escape she’s had through her biggest ups and downs are her favorite vampire books from the Blood Feud series, which she’s reread so often she has entire passages committed to memory. While it’s fun for Tess to playfully subscribe to the long-running theory among online fans that the island where Blood Feud takes place is real, she knows better than to take it too seriously. That all changes when Octavia Yoo, one of the vampires from the island, shows up at the hotel, knowing Tess’ name and begging for her help. Soon, Tess finds herself on the isle, surrounded by vampires and feeling way out of her depth—especially once she learns that Callum, Octavia’s twin and the supposed villain of the series, might actually be the good guy. As Tess spends more time with Callum, every preconceived notion she has about his character is turned on its head. Armed with new knowledge, Tess fights to bring Octavia back to the island where she belongs, even as bigger evils lurk. Meanwhile, who is August Lirio, the pseudonymous author of the Blood Feud books, and how could they have gotten the details so wrong? Stayman-London’s first venture into the paranormal is paired with a dash of comedy for an injection of fun into a normally serious subgenre. That said, the plot does introduce heavier elements, such as the traumatic event in Tess’ past, which creates a disjointed tone at pivotal moments. Also, spending time on a romance for Octavia back in New York detracts from the central story, when each couple could have easily received their own book.
This comedic take on the vampire romance has one too many moving parts.Pub Date: yesterday
ISBN: 9780593729120
Page Count: 400
Publisher: Dial Press
Review Posted Online: Aug. 3, 2024
Kirkus Reviews Issue: Sept. 15, 2024
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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