by Kate Summerscale ‧ RELEASE DATE: May 1, 1998
In this superbly written biography, Summerscale brings to life the extraordinary and eccentric “Joe— Carstairs. A London Times bestseller and already nominated for the Whitbread Biography of the Year Prize, this volume takes empathetic hold of an enterprising, cross-dressing woman bent on devouring the world whole. Marion “Joe” Carstairs was heiress to the Standard Oil fortune and clearly predestined to eccentricity. Her childhood was emotionally arid. Her mother early succumbed to men, drink, and drugs. Marion was by nature a provocateur and lived to challenge the sexual morals of her day. By the 1920s she had seen the battlefield and the barroom, found her identity as a heavy-smoking, tattooed lesbian, distinguished herself as a record-breaking speedboat racer, and become the self-fashioned ruler of Whale Cay, a small Bahamian island she purchased with her considerable personal fortune. Any one of these might have made her unique; the combination made her positively fascinating. In a life “powered by her money, Joe lifted herself clear of censure by dint of nerve and speed.— She lived and loved relentlessly, visibly, and famously. (The Windsors, Greta Garbo, Marlene Dietrich were but a few of her cohorts.) But somewhere within was a heart the beat only for Lord Tod Wadley, a leather-faced, Steiff doll of a man to whom she was unendingly devoted. Their personalities were bizarrely entwined. Ultimately, Carstairs’s lust for privacy, and for control, was so great that it threatened to consume her. The dazzling and enigmatic life she led soon faded from view. Not until Summerscale, obituaries editor of the Daily Telegraph at the time of Carstairs’s death in 1993, set out to research anomalies in the sketchy details of her life did it all come back. Stylistically restrained and well paced, this unforgettable tale of one woman’s raw hunger for immortality needed no more than this eloquent telling to lift clear off the page. Captivating fun. (44 b&w photos, not seen) (Author tour)
Pub Date: May 1, 1998
ISBN: 0-670-88018-3
Page Count: 256
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1998
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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