The message isn't lost on the reader, but it's shrouded in oppressively plangent (though often quite beautiful) prose so...
A complex history of secrecy and grief is gradually revealed in this painstakingly layered, deliberately muted first novel, from the author of Where She Went (stories: 1998).
At the outset it seems to be the story of narrator Ellen Rock's unspoken love for her older cousin Randall Jewell, a charming, intellectually curious boy who had shared his personal secrets with her—and perished during WWII on Iwo Jima, bequeathing to Ellen his diary and an illustrated volume describing the eponymous Japanese gardens (the subject of petitions that their pristine beauty be spared by Allied bombers). But the novel wanders, as Ellen searches both her own past and the histories of other people whose experiences impinge on or influence her own. Her older sister Rita dies young, after marrying a traumatized war veteran; and Ellen's own husband Henry, who breaks down and enters a V.A. hospital, fades from her life almost as quickly as he had (accidentally, as it happens) entered it. Her uncle Sterling (Randall's father) importunes Ellen to "Tell me about . . . my son," all but paralyzed by a guilty secret that mocks a life of outward rectitude. And Randall's legacy wounds Ellen as severely as do her own losses: She discovers not only that during the Civil War the Jewells' stately home had been a haven for runaway slaves, but that it had also been the site of horrendous injustices, including an embittered freeman's defiant act of vengeance. The novel's separate parts don't quite cohere formally, but the nature of their interconnection is suggested by this telling phrase from Randall's book: "Tucked within the gardens of Kyoto is a shrine to unborn children, to lost children, to children too soon dead."
The message isn't lost on the reader, but it's shrouded in oppressively plangent (though often quite beautiful) prose so concentrated on mourning for this story's numerous dead and gone that it disallows any contrary experience or emotion, or even a breath of air. Not negligible by any means, but awfully bleak and monotonous.Pub Date: April 2, 2001
ISBN: 0-684-86948-9
Page Count: 304
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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