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CLOVIS SUSPECTS A SNEAK

Gently conveyed lessons in friendship and trust.

Jokes aside, this bull owns a china shop.

Our hero, whom readers will recognize from Clovis Keeps His Cool (2021), sells attractive merchandise in his cozy store. He has decorated for the winter holidays and put out tea and caramels for friends and customers. But several items—a silver sugar bowl, sugar lumps, tea lights—have disappeared. Is someone stealing? Clovis begins eyeing customers warily and even explodes at his friends at football practice. Suspicion’s bad for business; customers stop coming. Things still disappear. Clovis lays a nighttime trap for the thief by preparing caramels and soon discovers the burglar, who’s been on the premises all along: a mouse who “borrowed” his merchandise for a tea party. Clovis explodes—in laughter—explaining the difference between borrowing and stealing. “Next time, little mouse, ask me,” he tells her. “I may be a bull, but I’m no bully.” The remorseful rodent in turn reminds Clovis that he’s displayed a fierce temper in the past. Chastened, he decides to apologize to the friends he offended; the shop’s warm ambience is restored. This cute but thin story is appealing, though the denouement falls somewhat flat. The message about asking permission to borrow things is important, yet the mouse never explains if she planned to return what she took. Still, the vividly hued illustrations are comically lively. Towering Clovis is blustery yet able to mend his ways—also a good lesson—and the all-animal cast is endearing.

Gently conveyed lessons in friendship and trust. (Picture book. 5-8)

Pub Date: Oct. 29, 2024

ISBN: 9781645678991

Page Count: 32

Publisher: Page Street

Review Posted Online: Aug. 17, 2024

Kirkus Reviews Issue: Sept. 15, 2024

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TINY T. REX AND THE IMPOSSIBLE HUG

Wins for compassion and for the refusal to let physical limitations hold one back.

With such short arms, how can Tiny T. Rex give a sad friend a hug?

Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.

Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)

Pub Date: March 5, 2019

ISBN: 978-1-4521-7033-6

Page Count: 48

Publisher: Chronicle Books

Review Posted Online: Nov. 11, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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