THE UNINNOCENT

A meditation on crime, punishment, and heartache.

Blake began her legal career working for the Children’s Defense Fund in Washington, D.C. The work was depressing, and after Sandy Hook and the subsequent defeat of gun-control measures in Congress, she “lost hope.” A couple of years earlier, a 16-year-old cousin of hers suffered a psychotic episode and savagely killed a young boy, a horrific act that received little publicity because of the explosion of the BP Deepwater Horizon. “When the worst happens, the notion of luck takes on strange significance. What’s lucky when your son murders another mother’s son? That there is oil spilling into the ocean,” she writes. The best part of Blake’s book explores the trajectory of the crime, subsequent trial, and imprisonment of her cousin, who has been spending his life behind bars incessantly reading and teaching Bible classes while wrestling with his crime. Meaningfully, after reading Crime and Punishment, he described his crime by saying that he “took Ryan’s choices away.” Were the memoir to stick to this story, it would have been more effective, for much of it is given over to hit-or-miss meditations on heartbreak, lost love, and the like, with references to and quotations from a canon ranging from Ice Age cave paintings to the socially conscious journalism of Rebecca Solnit. Sometimes these musings are weighty (“Complicated grief is complicated because it doesn’t change shape or size; it stays unlivable”), sometimes mere soufflés: “Heartbreak’s popularity in times of great taking reveals the essence of a broken heart—what it is to have and then not have.” One wishes the author had directed her energies to the crime and how it played out; in those sections, her writing shines.

A mixed bag of longueurs and profundities that should prove useful to students of the judicial system.