by Katharine Esty ‧ RELEASE DATE: March 1, 2013
Relentless and inspiring, the life of Muhammad Yunus shows how capitalism and conscience need not be at odds.
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An admiring portrait of a charismatic economist and entrepreneur who found his calling as Bangladesh’s “banker to the poor.”
Bankers aren’t often thought of as heroes, but Muhammad Yunus comes across as one in this flattering biography. Esty (Workplace Diversity, 1997, etc.) traces the unlikely career of Yunus, who jointly won the 2006 Nobel Peace Prize with the Grameen Bank for battling poverty in his native Bangladesh. The “Twenty-Seven Dollars” in the book’s title refers to how Yunus stumbled onto his life mission in 1976 while a young college professor. He loaned $27 to a group of 42 villagers, allowing them to break free from the bonded labor that trapped many rural Bangladeshis. Yunus went on to found the Grameen Bank, specializing in microfinance—small, uncollateralized, easy-to-repay loans to poor residents, especially women. Esty chronicles the growth of the Grameen Bank, as well as Yunus’ later focus on “social businesses,” designed to address a social problem while making a profit. Microfinance as a policy tool has its critics, but Esty makes a compelling case that Yunus and his colleagues aided countless impoverished Bangladeshis while empowering women in a Muslim nation where they traditionally enjoyed few freedoms. Inspired by the author’s own interactions with Yunus, the fast-paced book holds lessons not only for social activists, but entrepreneurs as well. Yunus has founded more than 25 companies in industries ranging from telecommunications to renewable energy. Esty isn’t a detached biographer. She admits Yunus is her “hero” and that she aims to spread his story to a wider audience. As she sees it, Yunus is an iconoclastic visionary able to spur others to action yet ambitious enough to make powerful enemies. In 2011, he was ousted from the Grameen Bank in what the author believes was a politically motivated vendetta. Esty draws on her own background as a social psychologist and consultant to extract seven “patterns of action” she says underlie Yunus’ success. The result is a powerful template for any organization seeking to make a difference.
Relentless and inspiring, the life of Muhammad Yunus shows how capitalism and conscience need not be at odds.Pub Date: March 1, 2013
ISBN: 978-0615799933
Page Count: 312
Publisher: Katharine Esty Company
Review Posted Online: July 9, 2013
Kirkus Reviews Issue: Aug. 1, 2013
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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