THE LAST DROP OF HEMLOCK

Jazz Age friends team up again to uncover the truth about a suspicious suicide.

A single word—Dead—ripples through the lively speak-easy the Nightingale like a flood. Vivian Kelly catches the eerie sensation and links it to the absence of her best friend, Bea, who’s uncharacteristically late. When Bea finally arrives at their nightly hangout, it’s with the sad news that her beloved Uncle Pearlie is dead by his own hand. Despite a doctor’s declaration of suicide, Bea is certain that someone killed Pearlie. Vivian, not convinced but concerned for her friend, decides to help Bea with her probe. Her belief in Bea’s theory grows when the coroner rules that arsenic was the cause of death and a visit to Uncle Pearlie’s apartment reveals that his secret horde of money has been stolen. Schellman builds on the vivid portrait of Roaring ’20s New York that she introduced in the series debut, Last Call at the Nightingale (2022): The social order is superficially progressive but simmering with multiple prejudices which both the Irish immigrant Vivian and the African American Bea encounter. The rich supporting cast includes the androgynous Honor “Hux” Huxley, who runs the Nightingale with an iron hand; colorful criminal Leo Green; and Vivian’s demure sister, Florence, working with quiet determination as a dressmaker to make ends meet. The discovery that Pearlie’s gal, Alba, is pregnant and that he worked for gangsters thickens the plot, and a threatening letter adds urgency to the probe.

A brisk and bubbly period whodunit with a pair of indomitable heroines.