An intelligent first novel, already excerpted in the New Yorker, that admirably avoids melodrama but sometimes tries too hard to be witty as it wrestles with the darkness beneath its glossy surface. Written in the form of journal entries, recollections, and finally as a straightforward narrative, it is a story of friendship between two young women of similar backgrounds, each burdened by an unhappy past. When 26-year-old award-winning photographer Harriet Rose arrives to spend a month in Geneva taking pictures, she bunks with her old Greenwich Village roommate, Anne Gordon. In New York the two had been the best of friends, soul-sisters who shared the same humor, tastes, and opinions, but Harriet finds Anne greatly changed. Not only is she ``frighteningly accessorized'' (her arms are ``racked with silver bangles''), but she ``has acquired an edge that was not there in New York.'' She has also acquired a lover: middle-aged and married Victor, who now works in Geneva for an international organization but was a friend of Anne's father, a fellow inmate of his at Auschwitz. Harriet, who is writing a journal for her own lover, Benedict, an artist, describes how each day she must vacate the apartment so that Anne and Victor can share their lunchtime tryst. Harriet is not impressed with Victor, who's obviously making Anne unhappy, but when Harriet tries to help, Anne insists that she herself is the ``monster.'' Meantime, both women recall the terrible losses of their childhoods: Anne discovered her mother's dead body, and her father was haunted by the Holocaust; Harriet saw her brother die, her mother go mad, and her father disappear. But it seems that Anne, increasingly troubled by her unhappiness (``I am already dead inside, no longer real''), can't be helped by even her dearest friend. A bit awkward and uneven at times, but, still, much to admire. A promising debut.
Pub Date: April 1, 1995
ISBN: 0-517-59890-6
Page Count: 304
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1995
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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