A gratuitously bizarre, reader-unfriendly tome by the author of Skin (1993); you can almost see through it, despite the murky prose. Grant Cotto is a photographer with a serious case of artist's block and a lot of time on his hands. When he sees the tortured drawings of Robin, an institutionalized schizophrenic under the care of his art therapist girlfriend, Johanna, the fun begins in earnest. Grant decides to help Robin free his artistic inner self by encouraging his drawing, a talent the author intimates is part of Robin's illness. Naturally, Johanna disapproves of this manipulation of Robin, and after a few heated exchanges, she moves out. Now misguided Grant can enjoy some real destruction. He encourages Robin to leave Clearwater Psychiatric, go off his medication, and move in, so that he may devote himself slavishly to producing drawings of fascinating, twisted beauty. Soon, a strange kind of co-dependency develops, and Grant's interest shifts from the drawings to Robin himself. The two share all kinds of adventures, including experiments with sensory and sleep deprivation and a visit to an Evangelical Pentecostal meeting in order to assuage Robin's growing fixation with angels. At the church, they meet Saskia, also a Clearwater outpatient, and before long they're spending a lot of time at her ``Holiday House,'' so named because she won't take down her Christmas decorations. Of course, an odd triangle develops, but the unmedicated Robin begins to fall apart, starving himself and resisting help from his roomies so that he may die and join the angels. With the exception of a sensitive, if somewhat drawn-out description of Robin's death, Koja portrays her characters as one-dimensional losers. Additionally, the story is laden with what aspires to be foreshadowing—too bad there's so little action to foreshadow. Strange, indeed.
Pub Date: May 1, 1994
ISBN: 0-385-30892-2
Page Count: 320
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1994
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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