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STRAYDOG

A horror novelist for adults (Extremities, 1998, etc.) tries a different tack with this whiny but intense girl-meets-dog (and boy) story. Volunteering at an animal shelter, prickly loner Rachel finds a kindred spirit in the newly arrived, savagely feral dog she dubs “Grrl.” A compulsive writer, Rachel is inspired to work on a nightmarish, dog’s-eye view of street life that her creative-writing teacher urges her to finish and submit to a competition; meanwhile, Rachel is making another connection, this time with Griffin, a withdrawn new classmate. After some wary circling, Griffin offers his backyard as a pen for Grrl—but Rachel returns to the shelter to discover that Grrl’s already been euthanized. Though she tends toward trite self-analysis (“What do you do when you’re too smart for the freaks, but too much of a freak for the smart kids?”) and is given to tirades about her parents’ character flaws, people who don’t spay their pets, and like topics, Rachel’s emotional intensity, conveyed both in her fierce narrative and in long passages from her story, is compelling enough to draw readers along. Less compelling is the ending, in which Griffin snaps her out of a bout of wild, destructive grief, and the two adopt another, friendlier, stray dog. Still, fans of tales about teen writers, or stories with animal themes, will pant after this. (Fiction. 12-15)

Pub Date: April 12, 2002

ISBN: 0-374-37278-0

Page Count: 112

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2002

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WRITE A BOOK FOR ME

THE STORY OF MARGUERITE HENRY

Marguerite Henry died barely two years ago, after living the life of which most writers dream: She wrote from the time she was young, her parents encouraged her, she published early and often, and her books were honored and loved in her lifetime. Her hobby, she said, was words, but it was also her life and livelihood. Her research skills were honed by working in her local library, doing book repair. Her husband Sidney supported and encouraged her work, and they traveled widely as she carefully researched the horses on Chincoteague and the burros in the Grand Canyon. She worked in great harmony with her usual illustrator, Wesley Dennis, and was writing up until she died. Collins is a bit overwrought in his prose, but Henry comes across as strong and engaging as she must have been in person. Researchers will be delighted to find her Newbery acceptance speech included in its entirety. (b&w photos, bibliography, index) (Biography. 9-12)

Pub Date: March 10, 1999

ISBN: 1-883846-39-0

Page Count: 112

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1999

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SUMMER HAWK

From Savage (Under a Different Sky, 1997, etc.), a slow, clichÇd novel about a smart, sophisticated, ambitious teenager stuck in a small town while her future looms large; the rescue of hawks is the excuse for some overwrought allusions to flight and freedom. Taylor has just finished the ninth grade in Hunter’s Gap. She doesn’t fit in with the stereotypical small-minded, small-town types, and she misses her (also stereotypical) workaholic mother, who spends most of her time in the city or traveling to conferences. Taylor feels that her sensitive-artist (another stereotype) father is the only person who understands her until she connects with the class outcast, Rail, and Rhiannon, the “hawk lady” who runs the local raptor rescue center. Predictably, Taylor starts to see the real people behind the stereotypes, and trades in her future at the upscale Porter Phelps school for an internship at the local paper. Along the way, her father sleeps with Rhiannon, who sees in Taylor her daughter, who died; Taylor first worships Rhiannon (“I created a secret world in my heart—a high, windy hill where I stood side by side with the hawk lady, our long hair blowing until it mingled together”), then despises her; Taylor also has mixed feelings for Rail, the hick with the heart of gold. Hard-edged Rhiannon’s supposed charisma never comes through, and it’s easy to dislike Taylor, who, between bouts of self-pity, snaps at the very decent Rail in every chapter. (Fiction. 12-14)

Pub Date: April 1, 1999

ISBN: 0-395-91163-X

Page Count: 298

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1999

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