by Katherine Angel ‧ RELEASE DATE: March 2, 2021
A provocative counterargument to recent feminist dogma.
As this slim yet philosophically dense volume suggests, consent doesn't guarantee enjoyable sex—and may in fact inhibit it.
British academic Angel considers the relatively new concept that sexual interaction should rely on a man asking for, and a woman granting, permission for each sequential act involved. (For the purposes of this book, she focuses on cis men and women: “The particular quandaries affecting trans people’s experience of sex, as well as those in same-sex relationships will, I hope, find some resonance and recognition in the dynamics I explore here, but the fine-grained texture of those quandaries are not mine to explore, and others are better placed to be doing (and to have done) that vital work.”) In chapters about consent and vulnerability, the author makes the point that “we do not always know what we want” and that clearly stating your desires does nothing to prevent “miserable, unpleasant, humiliating” sex. The book's ironic title—borrowed from a 1976 essay by French philosopher Michel Foucault that criticized contemporary “sexual liberationists”—suggests that positive sexual interactions cannot be willed into existence. Rather, they depend on “conversation, mutual exploration, curiosity, uncertainty—all things, as it happens, that are stigmatized within traditional masculinity.” Angel argues that sexual relationships don't have much to do with the conscious and the verbal but, especially for women, with what goes on beneath the surface of consciousness. The one certainty she returns to repeatedly is that “we shouldn't have to know ourselves in order to be safe from violence.” Because she builds her case on her own observations and experiences more than scholarly research, some readers may be skeptical about her authority while others will find the logical arguments that she makes convincing. Some might also wish for even more personal stories to be woven into what is generally a cerebral and abstract book. Still, Angel raises intriguing questions about commonly accepted assumptions, and she offers reassurance to female readers.
A provocative counterargument to recent feminist dogma.Pub Date: March 2, 2021
ISBN: 978-1-78873-916-0
Page Count: 160
Publisher: Verso
Review Posted Online: Nov. 20, 2020
Kirkus Reviews Issue: Dec. 15, 2020
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BOOK REVIEW
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
BOOK REVIEW
by Howard Zinn with Ray Suarez
BOOK REVIEW
by Howard Zinn
by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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More In The Series
by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
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