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UNMASTERED

A BOOK ON DESIRE, MOST DIFFICULT TO TELL

An unconventional and strikingly lyrical observation of women and their desire to speak regarding the fulfillment of their...

A revealing look at postmodern feminism and its role in female desire through one woman’s personal anecdotes, meditations and professional research.

Angel provides an intelligent examination of how today’s women satiate their needs and desires. The author examines her own sexual experiences as both a writer and a lover, from her teen years to the present, in poetic yet fragmented theories revolving around the feminist icons Virginia Woolf and Susan Sontag. This is not to say that her philosophy leans toward the bias of these women; rather, she uses their thoughts as examples and builds on them to answer an important question that many women face in some form or another: “What is it to define, or even to know, our desires—to identify which are our own, and which result from a kind of porousness?” The definition of this identification of desire within oneself, the desire for women to be able to freely speak up about what they really want and how they want it is answered through Angel’s own emotional bonding to the modern woman’s intuitive feelings of shame, beauty, and confusion of sex or lust for love. Throughout the book, structured as a numbered series of vignettes, short paragraphs and even single sentences, the author struggles with her personal convictions regarding love and lust in and out of the bedroom. However, she staunchly maintains her theory with an empowering conclusion that begs for women to speak up above the commercialized version of sex and the woman’s perceived notion of what it takes to fulfill their desires. “The desire to speak is a desire to burst through silence, to puncture,” she writes.  “As such, it is also erotic; it contains its own excitement. Speaking undoes the perceived straitjacketing. Unlaces the corset, winds down the hair.”

An unconventional and strikingly lyrical observation of women and their desire to speak regarding the fulfillment of their sexual and emotional needs.

Pub Date: June 4, 2013

ISBN: 978-0-374-28040-6

Page Count: 368

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 3, 2013

Kirkus Reviews Issue: May 15, 2013

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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