A deeply empathetic look at the magic of love and compassion.
In novelist Arden’s picture-book debut, a bizarre-looking fish has an unforgettable impact on a young girl.
October is Daisy’s favorite time of the year; she loves “cider and pumpkins, wet leaves and woodsmoke, and most importantly, the fair.” This year, she wins an odd prize at a fishing booth: an aquatic creature with “too many fins and scales like leaves” and “a head too big for his tail.” Her family dubs him “weird,” but after bringing him home in a bag of water, Daisy instantly bonds with him and names him after her favorite month. By the next morning, October has grown rapidly, prompting Daisy to move him to the bathtub, which still isn’t big enough. October fixes Daisy with a sad, piercing blue-eyed stare, so she moves him to the lake in front of her house, where he’s free to live his best life as the magical water dragon he is. Arden’s lyrical, conversational text emphasizes the strong bond between Daisy and her new pet despite their limited time together; she makes clear that caring for another living being can alter us forever. With thick brushstrokes and a cool palette dominated by blues and browns, Marwan’s stunning pen, ink, and watercolor illustrations capture this unconditional nurturing bond, the concept of metamorphosis, and the transformative nature of autumn. Daisy and her family are tan-skinned.
A deeply empathetic look at the magic of love and compassion. (Picture book. 4-7)Pub Date: Sept. 3, 2024
ISBN: 9781662620782
Page Count: 40
Publisher: Astra Young Readers
Review Posted Online: May 31, 2024
Kirkus Reviews Issue: July 1, 2024
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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