THE COTTAGE IN THE WOODS

Jane Eyre meets the Three Bears.

Once upon a time, in the faux-Victorian enclave of the Enchanted Forest, sentient creatures lived in harmony with humans—until the Anthropological Society began agitating for human supremacy. In this fraught atmosphere, the Vaughn family, three bears of great refinement, engage the young and naïve bear Ursula Brown as governess. Like any proper heroine, she forms an immediate bond with her charge, Teddy, and tumbles into star-crossed love. Still, she is troubled by ominous forebodings about Teddy’s resentful Nurse, the bigotry seething within the quaint village, and, above all, the dark secrets lurking in the titular stately mansion. Then, one night, a human girl with golden curls steals into her room….Ursula narrates in a deliberately old-fashioned cadence with “had I but known” asides. Principled and sincere, her dedication to Teddy and Goldilocks compels admiration, and the devoted friendship between cub and child is genuinely heartwarming. But the heavy-handed condemnation of prejudice jars oddly against Ursula’s genteel snobbishness, and her romance is downright mawkish. Like the other Enchanted beasts, her cultivated comportment—including corsets, pianofortes, Latin studies and conventional Christian piety—downplays her animal nature, making each reference to snouts, paws and fur appear intrusive. Likewise, the cameo appearances by storybook characters, while occasionally clever, often seem forced.

An ambitious but awkward mashup of nursery-tale whimsy, Gothic tropes and modern didactic moralism.