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REDCOATS AND PETTICOATS

Basing the book on true incidents and real people of the Revolutionary War, Kirkpatrick (Trouble’s Daughter, 1998, etc.) recreates the actions of a Patriot spies begun by Robert Townsend and assisted by strong-willed, cool-headed Nancy Strong in the little town of Setauket, New York; Nancy used her clothesline and petticoats to signal the location, spotted by her son, of a whaleboat that would transport a vital letter about British battle plans directly to General George Washington. The complete spy ring route, which carried crucial information from British-occupied New York City to Patriot-held Connecticut, is depicted in a colorful map at the conclusion of the book; the detailed historical notes that follow will intrigue those interested in learning about the strong men and women who were instrumental in changing the nation’s history. Himler’s splendid watercolor paintings illustrate the danger involved in trying to foil the Loyalists and the daily threat of exposure that was faced by the Setauket spies. (map, sources) (Picture book. 5-9)

Pub Date: March 15, 1999

ISBN: 0-8234-1416-7

Page Count: 32

Publisher: Holiday House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1999

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THE BABE AND I

Adler (also with Widener, Lou Gehrig, 1997, etc.) sets his fictional story during the week of July 14, 1932, in the Bronx, when the news items that figure in this tale happened. A boy gets a dime for his birthday, instead of the bicycle he longs for, because it is the Great Depression, and everyone who lives in his neighborhood is poor. While helping his friend Jacob sell newspapers, he discovers that his own father, who leaves the house with a briefcase each day, is selling apples on Webster Avenue along with the other unemployed folk. Jacob takes the narrator to Yankee Stadium with the papers, and people don’t want to hear about the Coney Island fire or the boy who stole so he could get something to eat in jail. They want to hear about Babe Ruth and his 25th homer. As days pass, the narrator keeps selling papers, until the astonishing day when Ruth himself buys a paper from the boy with a five-dollar bill and tells him to keep the change. The acrylic paintings bask in the glow of a storied time, where even row houses and the elevated train have a warm, solid presence. The stadium and Webster Avenue are monuments of memory rather than reality in a style that echoes Thomas Hart Benton’s strong color and exaggerated figures. (Picture book. 5-9)

Pub Date: April 1, 1999

ISBN: 0-15-201378-4

Page Count: 32

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1999

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I WAS ONCE A MONKEY

STORIES BUDDHA TOLD

A book of the basic teachings of Buddha, presented through a collection of six classic, simple tales. When a monkey takes refuge from a monsoon in a cave, he happens upon a group of bickering animals—a monkey, lion, turtle, jackal, and dove. Before the fighting becomes too fierce, a small statue of Buddha begins to glow in the darkest corner. To pass the time—and to stop the fighting—wise Buddha spins enlightening stories of tolerance, endurance, sagacity, truthfulness, kindness, and clarity. Buddha recounts his past lives in many forms—from monkey to pigeon to willow tree—to his captive listeners. Such straightforward yet profound tales combine with the art and design for an example of bookmaking that is aesthetically pleasing in every way. Color-washed linoprints cleverly distinguish the stories from the black-and-white narrative frame, while an informative afterword offers brief background detail about Buddha and these six “birth stories” known as Jatakas. (Picture book/folklore. 4-7)

Pub Date: April 8, 1999

ISBN: 0-374-33548-6

Page Count: 40

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1999

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