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YOU CAN'T STAY HERE FOREVER

A probing, astute portrayal of a fraught and late-blooming coming-of-age.

After her husband is killed in a car crash, a recently married lawyer learns he was involved with another woman for years.

And it’s someone she works with! This disgusting detail is just one piece of an avalanche of bad news that tumbles down on poor Ellie Huang in the first chapters of Lin’s debut. By the time she learns that her husband, Ian Anderson, a lawyer of less skill and brains but significantly more social elbow grease than she, was screwing this other woman even before he proposed marriage, she’s reeling. It’s then that a piece of somewhat better news arrives—Ian had life insurance based on a forecast of his future earnings, and Ellie is the sole beneficiary. In addition, her supervisor at work really thinks she needs to take some time off, as her sentences have stopped making sense. Her best friend, Mable Chou, who has been staying over at Ellie's house every night since the accident, strongly recommends therapy. She could pay off the house, but does she even want to live there anymore? Ellie decides to put her windfall to use flying Mable and herself first class to Nice, and then on to the ultra-luxurious Hotel du Cap-Eden-Roc in Antibes. This premise sounds like fun, but Lin’s protagonist is no merry widow, and her narrative takes things in a more serious direction. At the resort, Ellie and Mable make friends with a somewhat mysterious couple—the man Asian like them, the woman White. Long-standing flaws in the friendship are exposed by their differing reactions to Robbie and Fauna as well as by Ellie's choppy processing of her complicated grief and rage. (Mable’s right—she really does need therapy.) Lin's treatment of the glamorous, decadent setting, with its stream of gourmet meals and artisanal cocktails, is far from escapist wealth porn—she has complicated things to say about privilege and its intersection with race, ambition, and identity.

A probing, astute portrayal of a fraught and late-blooming coming-of-age.

Pub Date: June 13, 2023

ISBN: 9780063241435

Page Count: 304

Publisher: Harper/HarperCollins

Review Posted Online: March 27, 2023

Kirkus Reviews Issue: April 15, 2023

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SWAN SONG

Though Hilderbrand threatens to kill all our darlings with this last laugh, her acknowledgments say it’s just “for now.”

A stranger comes to town, and a beloved storyteller plays this creative-writing standby for all it’s worth.

Hilderbrand fans, a vast and devoted legion, will remember Blond Sharon, the notorious island gossip. In what is purportedly the last of the Nantucket novels, Blond Sharon decides to pursue her lifelong dream of fiction writing. In the collective opinion of the island—aka the “cobblestone telegraph”—she’s qualified. “Well, we think, she’s certainly demonstrated her keen interest in other people’s stories, the seedier and more salacious, the better.” Blond Sharon’s first assignment in her online creative writing class is to create a two-person character study, and Hilderbrand has her write up the two who arrive on the ferry in an opening scene of the book, using the same descriptors Hilderbrand has. Amusingly, the class is totally unimpressed. “‘I found it predictable,’ Willow said. ‘Like maybe Sharon used ChatGPT with the prompt “Write a character study about two women getting off the ferry, one prep and one punk.”’” Blond Sharon abandons these characters, but Hilderbrand thankfully does not. They are Kacy Kapenash, daughter of retiring police chief Ed Kapenash (the other swan song referred to by the title), and her new friend Coco Coyle, who has given up her bartending job in the Virgin Islands to become a “personal concierge” for the other strangers-who-have-come-to-town. These are the Richardsons, Bull and Leslee, a wild and wealthy couple who have purchased a $22 million beachfront property and plan to take Nantucket by storm. As the book opens, their house has burned down during an end-of-summer party on their yacht, and Coco is missing, feared both responsible for the fire and dead. Though it’s the last weekend of his tenure, Chief Ed refuses to let the incoming chief, Zara Washington, take this one over. The investigation goes forward in parallel with a review of the summer’s intrigues, love affairs, and festivities. Whatever else you can say about Leslee Richardson, she knows how to throw a party, and Hilderbrand is just the writer to design her invitations, menus, themes, playlists, and outfits. And that hot tub!

Though Hilderbrand threatens to kill all our darlings with this last laugh, her acknowledgments say it’s just “for now.”

Pub Date: June 11, 2024

ISBN: 9780316258876

Page Count: 384

Publisher: Little, Brown

Review Posted Online: March 9, 2024

Kirkus Reviews Issue: April 1, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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