A fascinating evocation of the major players of the Ottoman renaissance.
A captured Venetian encounters a strange blend of civilization and barbarism as she attains the highest rank possible for a woman in the Ottoman Empire.
As Nurbanu, nee Cecilia Baffo Veniero, queen mother and former sultaness, lies dying, she writes down the story of her life. Born of a never-legalized union between a Venetian mapmaking prodigy, Violante, and a nobleman, Cecilia is doted on by her maternal grandfather and studies science with her mother’s teacher, Egnatius. This idyll is interrupted by Violante’s death by drowning. At age 12, Cecilia is sent to live on her father’s fiefdom, Paros island. Shortly thereafter, invading Turks abduct her. Arriving at the harem of the Ottoman emperor, Suleiman the Magnificent, Cecilia, renamed Nurbanu, finds that she has been fast-tracked for success in her new home: apparently her captors are well-aware of her erudition and her ties to the upper echelons of their most intractable foe, Venice. With Suleiman’s blessing, she is schooled alongside the crown prince, Mehmed, with whom she falls in love. When Mehmed is killed by wasps, Suleiman appoints Nurbanu the consort of his next heir, Selim, and although the prince is grossly corpulent and a drunkard, affection grows between them. When she gives birth to a son, Murad, she is promoted to wife and endowed with a huge fortune. When death ends Suleiman’s 46-year reign, Selim becomes sultan, and Nurbanu, now sultaness, is embroiled in the Ottoman dynasty’s ruthless method of ensuring orderly succession: brothers and half brothers of the heir apparent must be killed, a rule complicated by the existence of harems. Suleiman had commanded Nurbanu to make sure Murad would go unchallenged; thus when Selim starts impregnating concubines, it is her job to eliminate any male children. The resulting moral quandary still plagues Nurbanu on her deathbed. Although Nurbanu is portrayed as a strong woman, the constraints of her milieu rob her of true choice, which renders her struggles less compelling and the plot less suspenseful. However, Hughes marshals her extensive research well, mining the known facts for sensory details that never fail to engage.
A fascinating evocation of the major players of the Ottoman renaissance.Pub Date: Aug. 8, 2017
ISBN: 978-1-88-328570-8
Page Count: 368
Publisher: Delphinium
Review Posted Online: May 14, 2017
Kirkus Reviews Issue: June 1, 2017
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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