We meet Louise Bradshaw in the summer of 1941, smarting under the disproportionate attention lavished on her fragile, musically talented twin sister Caroline since their birth 13 years earlier. We get to know her better the next summer when she and her cumbersome male friend Cal take up with old "Captain" Wallace, a 70-year-old native of their Chesapeake Island who has returned after a 50-year absence. Louise resents Cal's special relationship with the Captain, and resents even more her sister's subsequent friendship with both Cal and the Captain. She is devastated when the Captain offers to send Caroline off to music school; and when Cal and the other young men go off to war, Louise willingly drops out of high school to help her waterman father with the crabs and oysters. Perhaps the biggest blow is when Cal returns from the war all grown up, and announces his intention of marrying Caroline, now off at Juilliard. The interesting aspect of all Louise's torment and self-sacrifice is the growing realization that it isn't being forced on her. But not until she has settled down as a nurse-midwife (the only medical help) in a small Appalachian community—marrying a man with three children to boot—does she recognize and freely accept that she was destined to fulfill herself in a life of service. Paterson has to get into these later years to make the point, and to avoid the instant realizations that substitute in too many juvenile novels. However, this tends to flatten the tone and blur the shape of the novel. Louise's earlier, intense feelings evoke recognition and sympathy, but this hasn't the resonant clarity of Bridge to Terabitha or The Great Gilly Hopkins.
Pub Date: Oct. 22, 1980
ISBN: 0064403688
Page Count: 276
Publisher: T.Y. Crowell
Review Posted Online: Oct. 26, 2011
Kirkus Reviews Issue: Oct. 1, 1980
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
A prototypical survival story: after an airplane crash, a 13-year-old city boy spends two months alone in the Canadian wilderness. In transit between his divorcing parents, Brian is the plane's only passenger. After casually showing him how to steer, the pilot has a heart attack and dies. In a breathtaking sequence, Brian maneuvers the plane for hours while he tries to think what to do, at last crashing as gently and levelly as he can manage into a lake. The plane sinks; all he has left is a hatchet, attached to his belt. His injuries prove painful but not fundamental. In time, he builds a shelter, experiments with berries, finds turtle eggs, starts a fire, makes a bow and arrow to catch fish and birds, and makes peace with the larger wildlife. He also battles despair and emerges more patient, prepared to learn from his mistakes—when a rogue moose attacks him and a fierce storm reminds him of his mortality, he's prepared to make repairs with philosophical persistence. His mixed feelings surprise him when the plane finally surfaces so that he can retrieve the survival pack; and then he's rescued. Plausible, taut, this is a spellbinding account. Paulsen's staccato, repetitive style conveys Brian's stress; his combination of third-person narrative with Brian's interior monologue pulls the reader into the story. Brian's angst over a terrible secret—he's seen his mother with another man—is undeveloped and doesn't contribute much, except as one item from his previous life that he sees in better perspective, as a result of his experience. High interest, not hard to read. A winner.
Pub Date: Sept. 1, 1987
ISBN: 1416925082
Page Count: -
Publisher: Bradbury
Review Posted Online: Oct. 18, 2011
Kirkus Reviews Issue: Aug. 15, 1987
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