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DRAW WHAT YOU SEE

THE LIFE AND ART OF BENNY ANDREWS

Indelible.

African-American artist and arts activist Andrews was an outsider by birth and politics but not an outsider, or self-taught artist.

Driven by an early passion for drawing and a desperate Depression-era childhood in Plainview, Georgia, Andrews attended college on a 4-H scholarship, served in the Air Force and earned a BFA from the prestigious Art Institute of Chicago. A black man on the GI Bill, Andrews had never even visited a museum until he went to art school. His paintings celebrated narrative; he painted the geography and the lives of black folks in the Jim Crow South and the striving, struggling inner cities of the North. Author Benson, her late husband, Jim Haskins, and Andrews (who died in 2006) collaborated on several projects celebrating African-American history and achievement, including John Lewis in the Lead (2006); her passion for her subject shines clearly in the text, brief though it is. She introduces readers to young Benny, who grows up surrounded by cotton fields, finds inspiration in the church and continues with his education even as his classmates drop out to work cotton full-time. She closes with his activism on behalf of “outsider” artists: “He believed that art was for everyone.” This singular biography refocuses attention on the struggle for social justice through the extraordinary visions of this singular painter—every illustration is the artist’s own.

Indelible. (Picture book/biography. 4-8)

Pub Date: Jan. 6, 2015

ISBN: 978-0-544-10487-7

Page Count: 32

Publisher: Clarion Books

Review Posted Online: Oct. 21, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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LITTLE MELBA AND HER BIG TROMBONE

Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)

Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.

Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.

Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)

Pub Date: July 1, 2014

ISBN: 978-1-60060-898-8

Page Count: 40

Publisher: Lee & Low Books

Review Posted Online: June 3, 2014

Kirkus Reviews Issue: June 15, 2014

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PAPA'S MECHANICAL FISH

A humorous tribute to the zany, determined and innovative side of invention.

Young Virena, one of four children, provides inspiration for her aspiring inventor papa’s latest ambitious construction: a submarine.

Fleming bases her tale on the true story of Civil War–era inventor Lodner Phillips, who tried his hand at submarine design on the shores of Lake Michigan. In Fleming’s lively, enthusiastic account, Papa builds three increasingly large and more complicated underwater vehicles, each of which sinks, with Papa emerging cheerfully, if damply, ready for the next round. As Virena muses on the nature of marine life, providing Papa with ideas for improvements, the baby interjects disarmingly funny comments: “No pee pee!” chortles the baby when Virena asks how fish stay dry. The Whitefish IV has room for everyone, and Papa puts his entire family into the contraption—somehow the cheerful presentation keeps readers from worrying about the outcome. Kulikov’s expansive, comical illustrations offer exaggerated perspectives from above and below the deep blue-green water, huge and beautiful fish just under the surface and a loving family for the determined inventor. Blueprints for each version of the mechanical fish are included—a neat glimpse into the invention process—while the peculiarly human expressions on the family bulldog remind readers that this is a fantasy. An author’s note and an extensive list of adult resources give background information about the real Lodner Phillips.

A humorous tribute to the zany, determined and innovative side of invention. (Picture book. 4-8)

Pub Date: June 11, 2013

ISBN: 978-0-374-39908-5

Page Count: 40

Publisher: Margaret Ferguson/Farrar, Straus & Giroux

Review Posted Online: April 9, 2013

Kirkus Reviews Issue: May 1, 2013

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