A surreal, dark and very funny collection that has the emotional punch of a novel.
Exuberantly odd and emotionally daring stories follow a cast of engaging characters through small-town Texas in Founds’ debut collection.
In the first story of this unusual collection, Laura Freedman asks her high school English class to write about their favorite mystical creatures solving the greatest sociopolitical problems of our time. The resulting vignettes—in which a sphinx solves loneliness, a giant squid stops a pregnancy, and a phoenix rescues Ms. Freedman herself from Texas—introduce a young teacher, on her way to a crushing breakdown and a stay in an insane asylum, and two of her students, the disaffected Janice Gibbs and the irrepressible Cody Splunk. Founds follows the lives of these characters through 24 other stories that range in form from email conversations to journal entries to recipes from a fundraising cookbook assembled by a Methodist women’s society. While the structure and tone vary widely, with some stories approaching self-conscious acrobatics, the characters stay vivid throughout, and Founds handles both unhappy and absurd elements with wit, humor and compassion. In “Frankye,” a psychiatric journaling exercise forces Ms. Freedman to write about her young self losing unconditional love via time and regret. Cody and Janice perform two versions of a friendly rescue—one capering and slapstick, one banal—in “Mexico Foxtrot Rides Again,” and they face murderous biblical wax figurines in “In the Hall of Old Testament Miracles.” Each story adds a layer of feeling, understanding and history to the characters as they slide back and forth through time and relationships. They handle, gracefully, the whiplash switch between depression and hilarity, between the ghost of a suicidal mother and a love-struck boy promising to invent a time machine.
A surreal, dark and very funny collection that has the emotional punch of a novel.Pub Date: Oct. 1, 2014
ISBN: 978-1-60938-283-4
Page Count: 206
Publisher: Univ. of Iowa
Review Posted Online: July 30, 2014
Kirkus Reviews Issue: Aug. 15, 2014
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
The thirty-one stories of the late Flannery O'Connor, collected for the first time. In addition to the nineteen stories gathered in her lifetime in Everything That Rises Must Converge (1965) and A Good Man is Hard to Find (1955) there are twelve previously published here and there. Flannery O'Connor's last story, "The Geranium," is a rewritten version of the first which appears here, submitted in 1947 for her master's thesis at the State University of Iowa.
Pub Date: Jan. 1, 1971
ISBN: 0374515360
Page Count: 555
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Oct. 1, 1971
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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