In this sequel to Letters From Leelanau (not reviewed), Stocking sets out from her farmhouse on Michigan's Leelanau Peninsula to explore her home state—``as good a microcosm'' as any, she asserts, for an examination of contemporary American culture. Her series of deliberately haphazard journeys produces a thoughtful collection of essays and sketches about the lasting diversity of the daily round in the small towns and back roads of the country's rugged northern edge. Drawn particularly to the islands of the Great Lakes, Stocking is in search of an ``island of `unchange' in a sea of change'' where life is simpler and people know and trust their neighbors. She finds it on Bois Blanc, an insular community that admits the best modernity has to offer- -computers in its one-room schoolhouse, an ``astonishingly sophisticated'' bookstore—and staves off the worst. On Drummond Island she follows the public battle between a crusading journalist and Tom Monaghan, the Domino's Pizza magnate, over a rustic community's future. On Sugar Island she hopes to show her daughter Gaia, whose father is an Ottawa Indian, ``people who look like her just living their lives.'' For Stocking, island life is a welcome anachronism, and she records its rhythms lovingly: the daily arrivals and departures at ferry landings; the seasonal wax and wane of the population; and the distinctions that separate natives from outsiders and the islands themselves from the mainland. A constant is the author's own introspection, an earnest self-examination that only seldom wears thin as she interweaves personal history with more far-reaching questions about society, fate, democracy, morality, and the nature of God and the universe. Stocking's sharp descriptions of the natural world help ground these abstractions, and her enthusiasm for travel and for the lives of strangers enlivens a richly detailed narrative. (Illustrations by Mary Harney, not seen)
Pub Date: May 1, 1994
ISBN: 0-472-09516-1
Page Count: 300
Publisher: Univ. of Michigan
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1994
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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