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THE PIANIST’S ONLY DAUGHTER

A MEMOIR

An enthralling account that traces the highs and lows of a family dealing with aging.

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This debut memoir centers on a woman’s spirited life with artistic parents whom she helped care for in their later years.

Adams was born in 1950s Connecticut to a male concert pianist and a female poet. Both of her parents earned money as teachers—her mother, Jane, working at a community college, and her father, Donald, giving piano lessons. While Jane was a loving and attentive mother, the author had a somewhat volatile relationship with her father. Donald’s states, for example, weren’t predictable, and family members had to monitor his “blue moods,” when he would lie on a sofa or bed in an apparent funk. He was passionate about perfecting his keyboard skills (“He obsessed about how to interpret certain phrases and got himself stressed about how much emotion to put into his playing”). He also threw the family into turmoil with more than one affair with a piano student. Adams ultimately forged her own path by going to college, which led to a career in social work, and eventually starting a family of her own. But her parents, who even after splitting up somehow found each other again, needed their daughter as they aged. Both Jane and Donald contracted diseases, including Parkinson’s and a variety of cancers. Because constant care was essential, the author’s parents took up residence in a senior living facility, often moving to other rooms or places, depending on their ever changing physical and mental conditions and Medicare’s limited coverage. Adams and her husband also relocated her parents to be closer to their California home, since Jane and Donald’s only child remained fiercely loyal to her family.

Adams’ sharp prose delivers myriad details about her and her parents’ lives, though she devotes much of this memoir to her parents. She undeniably had a closer bond with her mother and, at times, resented her father. As described in this book, Donald was selfish, often putting his own needs (his piano playing or misguided romantic impulses) ahead of his family’s. Even in his later years, his “complaints and emotional outpourings” dominated the conversations with his daughter. Meanwhile, the account, which unfolds chronologically, reveals Jane’s gradually worsening condition via a series of heart-wrenching scenes. It’s an unflinching portrait of aging and a not-always-flattering glimpse at medical care in the United States. For example, the author recounts nurses and doctors who appeared either indifferent or ignorant of her parents’ medical histories, and a “skilled nursing facility” that truncated a Medicare-covered three-night stay to observe Jane’s condition, forcing the author to pay out-of-pocket fees. Most impressively, this book boasts a swift pace, covering numerous decades as well as a handful of cities and states where Adams and her family lived. This work skillfully spotlights historical events, too, such as the rise of feminism in the ’70s and the Covid-19 lockdown starting in 2020. The author couples the real-world backdrop with such sublime touches as snippets of her parents’ love letters and emails, along with a few of her mother’s poems. Adams also includes a number of personal photographs, from images of her parents as kids and later a married couple to pictures of the two when they were older, relying on wheelchairs.

An enthralling account that traces the highs and lows of a family dealing with aging.

Pub Date: Nov. 14, 2023

ISBN: 9798393872144

Page Count: 241

Publisher: Self

Review Posted Online: Dec. 28, 2023

Kirkus Reviews Issue: Feb. 15, 2024

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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MELANIA

A slick, vacuous glimpse into the former first lady’s White House years.

A carefully curated personal portrait.

First ladies’ roles have evolved significantly in recent decades. Their memoirs typically reflect a spectrum of ambition and interests, offering insights into their values and personal lives. Melania Trump, however, stands out as exceptionally private and elusive. Her ultra-lean account attempts to shed light on her public duties, initiatives, and causes as first lady, and it defends certain actions like her controversial “I REALLY DON’T CARE, DO U?” jacket. The statement was directed at the media, not the border situation, she claims. Yet the book provides scant detail about her personal orbit or day-to-day interactions. The memoir opens with her well-known Slovenian origin story, successful modeling career, and whirlwind romance with Donald Trump, culminating in their 2005 marriage, followed by a snapshot of Election Day 2016: “Each time we were together that day, I was impressed by his calm.…This man is remarkably confident under pressure.” Once in the White House, Melania Trump describes her functions and numerous public events at home and abroad, which she asserts were more accomplished than media representations suggested. However, she rarely shares any personal interactions beyond close family ties, notably her affection for her son, Barron, and her sister, Ines. And of course she lavishes praise on her husband. Minimal anecdotes about White House or cabinet staff are included, and she carefully defuses her rumored tensions with Trump’s adult children, blandly stating, “While we may share the same last name, each of us is distinct with our own aspirations and paths to follow.” Although Melania’s desire to support causes related to children’s and women’s welfare feels authentic, the overall tenor of her memoir seems aimed at painting a glimmering portrait of her husband and her role, likely with an eye toward the forthcoming election.

A slick, vacuous glimpse into the former first lady’s White House years.

Pub Date: Oct. 8, 2024

ISBN: 9781510782693

Page Count: 256

Publisher: Skyhorse Publishing

Review Posted Online: Oct. 14, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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