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THE PIANIST’S ONLY DAUGHTER

A MEMOIR

An enthralling account that traces the highs and lows of a family dealing with aging.

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This debut memoir centers on a woman’s spirited life with artistic parents whom she helped care for in their later years.

Adams was born in 1950s Connecticut to a male concert pianist and a female poet. Both of her parents earned money as teachers—her mother, Jane, working at a community college, and her father, Donald, giving piano lessons. While Jane was a loving and attentive mother, the author had a somewhat volatile relationship with her father. Donald’s states, for example, weren’t predictable, and family members had to monitor his “blue moods,” when he would lie on a sofa or bed in an apparent funk. He was passionate about perfecting his keyboard skills (“He obsessed about how to interpret certain phrases and got himself stressed about how much emotion to put into his playing”). He also threw the family into turmoil with more than one affair with a piano student. Adams ultimately forged her own path by going to college, which led to a career in social work, and eventually starting a family of her own. But her parents, who even after splitting up somehow found each other again, needed their daughter as they aged. Both Jane and Donald contracted diseases, including Parkinson’s and a variety of cancers. Because constant care was essential, the author’s parents took up residence in a senior living facility, often moving to other rooms or places, depending on their ever changing physical and mental conditions and Medicare’s limited coverage. Adams and her husband also relocated her parents to be closer to their California home, since Jane and Donald’s only child remained fiercely loyal to her family.

Adams’ sharp prose delivers myriad details about her and her parents’ lives, though she devotes much of this memoir to her parents. She undeniably had a closer bond with her mother and, at times, resented her father. As described in this book, Donald was selfish, often putting his own needs (his piano playing or misguided romantic impulses) ahead of his family’s. Even in his later years, his “complaints and emotional outpourings” dominated the conversations with his daughter. Meanwhile, the account, which unfolds chronologically, reveals Jane’s gradually worsening condition via a series of heart-wrenching scenes. It’s an unflinching portrait of aging and a not-always-flattering glimpse at medical care in the United States. For example, the author recounts nurses and doctors who appeared either indifferent or ignorant of her parents’ medical histories, and a “skilled nursing facility” that truncated a Medicare-covered three-night stay to observe Jane’s condition, forcing the author to pay out-of-pocket fees. Most impressively, this book boasts a swift pace, covering numerous decades as well as a handful of cities and states where Adams and her family lived. This work skillfully spotlights historical events, too, such as the rise of feminism in the ’70s and the Covid-19 lockdown starting in 2020. The author couples the real-world backdrop with such sublime touches as snippets of her parents’ love letters and emails, along with a few of her mother’s poems. Adams also includes a number of personal photographs, from images of her parents as kids and later a married couple to pictures of the two when they were older, relying on wheelchairs.

An enthralling account that traces the highs and lows of a family dealing with aging.

Pub Date: Nov. 14, 2023

ISBN: 9798393872144

Page Count: 241

Publisher: Self

Review Posted Online: Dec. 28, 2023

Kirkus Reviews Issue: Feb. 15, 2024

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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