by Kathryn Cole ; illustrated by Qin Leng ‧ RELEASE DATE: Sept. 8, 2015
It’s a bit of a cockeyed allegory: Joseph does the right thing the wrong way.
Bad choices typically land you in one place: the soup. Cole’s protagonist makes a rotten choice and soon finds himself covered in chicken noodle.
It looks like it’s Joseph’s day. He has found $15.35 in the schoolyard. His pal Devon suggests turning it in, but Joseph feels that “finders keepers, I always say.” Devon protests, but when Joseph says he’ll give $5.00 of the find to Devon...well, he pauses. When they learn who actually lost the money, Devon reverts to his original feelings, but now Joseph is in a fix: since he didn’t turn the money in when he found it, it’ll look like he was aiming to keep it. Joseph tries to convince Devon not to tell, but after a private talk with the teacher, Devon speaks to Joseph in no uncertain terms: “I’m your friend, but if you don’t give it back, I will have to tell. You choose.” As it happens, the teacher has also helped Devon plan how to return the money with no one the wiser as to who had it. The morality of the story seems a little off, as most of it revolves around a scheme to return the money and not pay the piper; it is not so much an ethical quandary that confronts the boys as a plan to escape responsibility.
It’s a bit of a cockeyed allegory: Joseph does the right thing the wrong way. (Picture book. 5-8)Pub Date: Sept. 8, 2015
ISBN: 978-1-927583-82-1
Page Count: 24
Publisher: Second Story Press
Review Posted Online: June 28, 2015
Kirkus Reviews Issue: July 15, 2015
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by Jonathan Stutzman ; illustrated by Jay Fleck ‧ RELEASE DATE: March 5, 2019
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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by Jonathan Stutzman ; illustrated by Heather Fox
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by Dev Petty ; illustrated by Lauren Eldridge ‧ RELEASE DATE: June 20, 2017
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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