A deft weaving together of sexuality and the macabre into a rich fictional tapestry.
An engrossing tale contrasting the lives of a young Caucasian and her Chinese stepaunt.
Harrison is a powerful, hypnotic writer fascinated by the psychosexual elements of a secretive human life. Her latest effort is skilled in incorporating themes from her earlier fiction—and from her life as well, it would seem, as revealed in The Kiss (1997), the memoir of her consensual sexual relationship with her father. Like Poison (1995), this novel is set in a historical period (the first half of the 20th century) and an exotic locale (Shanghai), and, like all of Harrison’s books (Exposure, 1993, etc.), it examines how women get and use sexual and social power. The first of the two contrasting but intertwined stories focuses on May, a Chinese-born woman whose traditional foot-binding ceremony is recalled in vivid and horrifying detail. The second follows May’s step-niece, Alice, through adolescent sexual awakening. While both are strong, forceful women—who clash accordingly—May’s life makes for the more compelling drama. Addicted to opium for years, and hobbled by the foot-binding, she is a fierce character who never becomes a clich‚d “dragon lady.” Particularly gripping are the portrayals of her abusive first marriage and of her convention-defying second try with Alice’s uncle Arthur. Harrison deals subtly with the themes of racism and anti-Semitism (Arthur’s and Alice’s families are Jewish) even when constructing so obvious a set-piece as the scene in which May is arrested at London’s Fortnum & Mason for using “slaves” to carry her around. In a book distinguished by atmospheric backdrops and panoramic scope, two additional pleasures stand out: an abundance of full-bodied minor characters, and a sharply telling portrait of expatriate Westerners getting rich in the East.
A deft weaving together of sexuality and the macabre into a rich fictional tapestry.Pub Date: May 1, 2000
ISBN: 0-679-45000-9
Page Count: 336
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2000
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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