In the end, the touching story of survival carries readers over the occasional infelicities
The rarely told story of the Nazi genocide of the Romani people unfolds through the eyes of a heavily fictionalized “film slave,” a Romani girl forced into service as an extra in a Leni Riefenstahl film.
Lilo is 15 when the Nazis cart her family off to a concentration camp. She’d assumed they were safe—settled, urban, skilled Sinti, unlike Roma who traveled in caravans and were easier targets of bigotry. But there’s no safety in Buchenwald or Maxglan, where her mother is the subject of sadistic procedures and her father vanishes in the night. In a stroke of luck, she’s taken to be a forced extra, a film slave in the backdrop of Leni Riefenstahl’s film Tiefland. Along with the other Romani imprisoned by Riefenstahl, Lilo fights to stay alive in circumstances less extreme than the camps but still horrific. Filmmaking details provide a unique flavor in a tragic story that’s otherwise all too familiar. Amid death and torment, Lilo encounters unexpectedly frequent sparks of human decency. Conveyed in at-times overly expository prose, Lilo’s story is fiction laid upon the life of actual Romani Holocaust survivor Anna Blach. Context is provided by a deeply problematic author’s note, which dedicates more than four pages to Riefenstahl but only three sentences to the modern Romani, mentioning neither the modern reality of anti-Romani bigotry nor the simple fact that “Gypsy” (used through the note as synonymous with “Romani”) is now considered pejorative and should be avoided.
In the end, the touching story of survival carries readers over the occasional infelicities . (Historical fiction. 12-16)Pub Date: Oct. 8, 2013
ISBN: 978-0-7636-3972-3
Page Count: 320
Publisher: Candlewick
Review Posted Online: Aug. 13, 2013
Kirkus Reviews Issue: Sept. 1, 2013
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.
A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.
Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)Pub Date: Jan. 8, 2019
ISBN: 978-0-06-282411-0
Page Count: 384
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
BOOK REVIEW
Heartbreaking, historical, and a little bit hopeful.
January 1945: as Russians advance through East Prussia, four teens’ lives converge in hopes of escape.
Returning to the successful formula of her highly lauded debut, Between Shades of Gray (2011), Sepetys combines research (described in extensive backmatter) with well-crafted fiction to bring to life another little-known story: the sinking (from Soviet torpedoes) of the German ship Wilhelm Gustloff. Told in four alternating voices—Lithuanian nurse Joana, Polish Emilia, Prussian forger Florian, and German soldier Alfred—with often contemporary cadences, this stints on neither history nor fiction. The three sympathetic refugees and their motley companions (especially an orphaned boy and an elderly shoemaker) make it clear that while the Gustloff was a German ship full of German civilians and soldiers during World War II, its sinking was still a tragedy. Only Alfred, stationed on the Gustloff, lacks sympathy; almost a caricature, he is self-delusional, unlikable, a Hitler worshiper. As a vehicle for exposition, however, and a reminder of Germany’s role in the war, he serves an invaluable purpose that almost makes up for the mustache-twirling quality of his petty villainy. The inevitability of the ending (including the loss of several characters) doesn’t change its poignancy, and the short chapters and slowly revealed back stories for each character guarantee the pages keep turning.
Heartbreaking, historical, and a little bit hopeful. (author’s note, research and sources, maps) (Historical fiction. 12-16)Pub Date: Feb. 2, 2016
ISBN: 978-0-399-16030-1
Page Count: 400
Publisher: Philomel
Review Posted Online: Nov. 2, 2015
Kirkus Reviews Issue: Nov. 15, 2015
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