A noted science author and her photographer husband follow photographer Swedberg, subject of the documentary movie Home Free: Return of the Bald Eagle, while he stakes out animal haunts, sets up elaborate blinds, patiently waits for hours or even days, and finally snaps wildlife in Florida, Massachusetts, and Alaska. The resulting nature shots may be chosen from hundreds taken in a just few minutes. Unlike Pringle's Batman (1991), the book doesn't bring the photographer himself to life: his quotes are limited to the ``Oh, boy!'' or ``Oh, my gosh, what's goin' on here?'' variety. But the glimpse of special techniques used to photograph in the wild and the handsome color photos (those depicting Swedberg at work are by Knight) make a fine introduction to a fascinating career, as exemplified by a photographer with 30 years of experience. (Nonfiction. 10-12)
Pub Date: May 1, 1992
ISBN: 0-316-51519-1
Page Count: 48
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1992
Remarking that ``nothing about the weather is very simple,'' Simon goes on to describe how the sun, atmosphere, earth's rotation, ground cover, altitude, pollution, and other factors influence it; briefly, he also tells how weather balloons gather information. Even for this outstanding author, it's a tough, complex topic, and he's not entirely successful in simplifying it; moreover, the import of the striking uncaptioned color photos here isn't always clear. One passage—``Cumulus clouds sometimes build up into towering masses called cumulus congestus, or swelling cumulus, which may turn into cumulonimbus clouds''—is superimposed on a blue-gray, cloud-covered landscape. But which kind of clouds are these? Another photo, in blue-black and white, shows what might be precipitation in the upper atmosphere, or rain falling on a darkened landscape, or...? Generally competent and certainly attractive, but not Simon's best. (Nonfiction. 10-12)
Pub Date: Aug. 1, 1993
ISBN: 0-688-10546-7
Page Count: 40
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1993
Themes of freedom and responsibility twine between the lines of this short but heavy novel from the author of Because of Winn-Dixie (2000). Three months after his mother's death, Rob and his father are living in a small-town Florida motel, each nursing sharp, private pain. On the same day Rob has two astonishing encounters: first, he stumbles upon a caged tiger in the woods behind the motel; then he meets Sistine, a new classmate responding to her parents' breakup with ready fists and a big chip on her shoulder. About to burst with his secret, Rob confides in Sistine, who instantly declares that the tiger must be freed. As Rob quickly develops a yen for Sistine's company that gives her plenty of emotional leverage, and the keys to the cage almost literally drop into his hands, credible plotting plainly takes a back seat to character delineation here. And both struggle for visibility beneath a wagonload of symbol and metaphor: the real tiger (and the inevitable recitation of Blake's poem); the cage; Rob's dream of Sistine riding away on the beast's back; a mysterious skin condition on Rob's legs that develops after his mother's death; a series of wooden figurines that he whittles; a larger-than-life African-American housekeeper at the motel who dispenses wisdom with nearly every utterance; and the climax itself, which is signaled from the start. It's all so freighted with layers of significance that, like Lois Lowry's Gathering Blue (2000), Anne Mazer's Oxboy (1995), or, further back, Julia Cunningham's Dorp Dead (1965), it becomes more an exercise in analysis than a living, breathing story. Still, the tiger, "burning bright" with magnificent, feral presence, does make an arresting central image. (Fiction. 10-12)
Pub Date: March 1, 2001
ISBN: 0-7636-0911-0
Page Count: 128
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2001
BOOK TO SCREEN
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