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THE HALF-A-MOON INN

Paul Fleischman, who wrote last year's sentimental Birthday Tree, is more successful (if not much more original) with this atmospheric story of a mute 12-year-old boy held as a prisoner/servant by a thieving, sinister old innkeeper. Aaron has wandered from home in search of his mother, who has failed to return from market during a bad blizzard. He is picked up by a good-natured rag man, but the man is illiterate, and so can't read Aaron's notes or comprehend the situation. When Aaron leaves the man's wagon to find help at an inn. he ends up in the clutches of frightful Miss Grackle—who reads his dreams, makes soup of his boots so he can't run away, and forces him to join her at night in the guests' rooms, where she peels back their eyelids and peeks in at their dreams, hoping some day to catch out a man rich enough to hold for ransom. (Ordinarily, she just picks their pockets.) This dream-reading bit is a good touch, and there are others—such as the curse that leaves Miss Grackle unable to light her fire, and eventually leaves her frozen to death with a bandit captive she thinks is a prince. Otherwise, if this is little more than an exercise in handling very old conventions, Fleischman has learned to wield the conventions most proficiently.

Pub Date: March 5, 1980

ISBN: 0812497643

Page Count: 88

Publisher: Harper & Row

Review Posted Online: April 24, 2012

Kirkus Reviews Issue: March 1, 1980

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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