Imaginatively illustrated and beautifully written, this offbeat ode to the power of music is a winner.
A Stradivarius on the subway? This Canadian import tells the story of violinist Joshua Bell’s quirky experiment.
An imposing woman in a fur coat and matching hat pulls a little boy down the street behind her. “Dylan was someone who noticed things. His mom was someone who didn’t.” The colors in the street scene behind them are muted grays, except for a thick stripe running across the page to the back of Dylan’s head. Brightly colored objects against a white background fill it. Mom has a stripe as well, of blank white. In the crowded train station, Dylan hears music; its swirls of color wend through the scene. Dylan follows the sound to a man in a blue baseball cap, energetically playing the violin. Mom pulls him away, but the power of the music lingers in his mind. Later, at home, he’s amazed to hear the violinist on the radio. An announcer explains that famed violinist Joshua Bell played in the subway today, yet “few people listened for even a minute.” Dylan runs to show Mom how deeply the music has affected him. He soars around the room in curly colored waves, riding the music. Then they listen together, and they dance! Bell himself recalls the incident that inspired the book in a postscript.
Imaginatively illustrated and beautifully written, this offbeat ode to the power of music is a winner. (author’s note) (Picture book. 5-9)Pub Date: Sept. 16, 2013
ISBN: 978-1-55451-565-3
Page Count: 32
Publisher: Annick Press
Review Posted Online: Aug. 2, 2013
Kirkus Reviews Issue: Aug. 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A welcome, well-researched reflection of cultural pride in the early-reader landscape.
The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.
Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.
A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)Pub Date: Sept. 17, 2019
ISBN: 978-0-89239-429-6
Page Count: 64
Publisher: Children's Book Press
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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