A delightful, colorful book with a lesson about loss and responsibility.
Ella and Lola go to market together, but not everything goes as planned in Urban’s illustrated children’s book
Gray toy bunny Lola hasn’t learned her lesson since her last adventure with her special friend, human girl Ella, in Hop Lola Hop (2022). As this story starts, the two are on good terms as they embark on a series of tasty adventures, including eating ice cream, baking treats, and planning a picnic. They finally depart for the farmers market with Ella’s mom, where they encounter dozens of stalls that catch their eye. The girl and bunny wander off alone and find themselves in the part of the market that has soap, flowers, and produce, not all of which they need for their picnic. Illustrator Kalla zooms out on the rich, brightly colored location, showing just how big and disorienting it is. Like other illustrations, it celebrates the hustle and bustle of everyday life, but readers will be able to spot Ella’s mom looking around in worry. Lola’s having so much fun that she wanders away again, leaving Ella in distress: “It certainly wasn’t the first time for Lola to disappear,” writes Urban, “but that didn’t mean Ella would get used to losing her—not today—not EVER!” This story insightfully shows how Ella’s losing Lola overlaps with Ella’s mom’s losing her daughter; it will teach children about the importance of staying with your companions and how to solve a problem when it arises. It conveys this message in a cute, child-friendly way that will appeal to many preschoolers. The formatting gives the text extra verve as it rises and falls (“Hop! Hop! Hop!”) or becomes larger to emphasize particular words (“TOO LONG”). At the end of the story, Urban invites readers to make strawberry pancakes of their own, using a recipe at the back of the book.
A delightful, colorful book with a lesson about loss and responsibility.Pub Date: June 1, 2023
ISBN: 9781912678808
Page Count: 32
Publisher: Little Steps Publishing
Review Posted Online: May 18, 2023
Kirkus Reviews Issue: July 1, 2023
Review Program: Kirkus Indie
BOOK REVIEW
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
A funny tale about stress and an ever upping ante, with a comforting end.
Something is preventing Owl from falling asleep.
Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?
A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)Pub Date: April 19, 2016
ISBN: 978-1-4847-1275-7
Page Count: 48
Publisher: Disney-Hyperion
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2016
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