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A DEATH IN JERUSALEM

Name: A DEATH IN JERUSALEM
Author: Kati Marton
ISBN: 0-679-42083-5

THE ASSASSINATION BY JEWISH EXTREMISTS OF THE FIRST ARAB/ISRAELI PEACEMAKER

by Kati Marton ‧ RELEASE DATE: Nov. 30, 1994

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An intriguing examination of the circumstances surrounding the 1948 murder in Israel of UN mediator Count Folke Bernadotte. Marton (The Polk Conspiracy, 1990, etc.) interweaves two stories as she traces the paths that led to the killing of Swedish nobleman and diplomat Bernadotte on September 17, 1948. The first story is about Bernadotte himself, who, Marton contends, was a well-meaning amateur in over his head. He had been sent by the UN to end the war that began when Arab armies invaded the newly declared state of Israel. Bernadotte's diplomatic fumbles, such as his proposal to turn Jerusalem over to Jordan, she writes, were misperceived as a mortal threat by Israelis, especially by the militant Stern Gang. The second story is about the Stern Gang, whose members, according to Marton, were driven by an understandable but misguided post-Holocaust paranoia; the resulting kill-or-be-killed attitude blinded them to the ineffectuality of Bernadotte and the UN itself. Marton has done a remarkable job of reconstructing the events leading up to this largely forgotten incident, which seriously threatened Israel's standing among its supporters. If Marton falters slightly, it is in her attempt to draw larger cautionary tales from the assassination. One has to do with the UN's continued inability to end conflicts because it lacks the will to apply meaningful force. The other involves Yitzhak Shamir, the leader of the Stern Gang and eventually Israel's prime minister. Marton contends that the mentality that justified the Stern Gang's terrorism remains a significant factor in Israeli society. She may be right on both counts. But these are highly complex issues, and her generalizations remain superficial in the absence of far more analysis and corroboration. Still, a rare glimpse behind the curtains of a terrorist act, instructive both for the light it sheds on a 46-year-old assassination and for the issues it raises relevant to today.

Pub Date: Nov. 30, 1994

ISBN: 0-679-42083-5

Page Count: 336

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1994

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE CHANCELLOR
by Kati Marton

- BOOK REVIEW
PARIS
by Kati Marton

- BOOK REVIEW
ENEMIES OF THE PEOPLE
by Kati Marton

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.