Absolutely a novel of its time—and a novel of women's stories across time.
When news of another Hollywood rape scandal breaks, Joni Ackerman—a former filmmaker now married to Paul Lovett, a powerful TV executive—reaches out to encourage an old friend to expose her truth.
Joni has known for decades that the accused CEO was a sexual predator because he assaulted her friend Val Graham at a party almost 30 years ago. Val, at the time an aspiring actress, didn’t report the rape and eventually left Hollywood. Joni has always kept silent to honor Val’s wishes, but also because “she didn’t want [Paul] to love her less, which he would have if she’d told another man’s secrets.” Now, having recently moved to New York for Paul’s job, Joni is at loose ends: in her marriage, in her career, and, now that her younger daughter is at college, as a parent. And so she contacts Val—for solace, for solidarity, and perhaps to finally uncover another secret: the identity of the second man who was present when Val was assaulted, someone never identified. Part domestic thriller, part psychological mystery, this is a tight, well-paced novel, and it hangs on the complex and flawed character of Joni herself. Rediscovering Patricia Highsmith’s novels, Joni begins to lean into the darkness of her own soul, which is perhaps not surprising given the experiences that have led her there: giving up her film career to play second-fiddle to a powerful husband; keeping the secrets of monstrous men; finding herself in a marriage where she’s expected to smile and serve as the perfect hostess at her husband’s star-studded parties but not be a star herself. Caught in the nefarious web of the patriarchy at every turn, she finds in Highsmith a way to fight back and reclaim some of her own agency. There’s an unexpected twist that flirts dangerously with the hysterical-female trope, but ultimately, this surprising piece of Joni’s story is just that: one more piece.
Absolutely a novel of its time—and a novel of women's stories across time.Pub Date: Jan. 9, 2024
ISBN: 9780802161406
Page Count: 272
Publisher: Atlantic Monthly
Review Posted Online: Oct. 7, 2023
Kirkus Reviews Issue: Nov. 1, 2023
A pulpy throwback that shines a light on abuses even magic can’t erase.
Hung out to dry by the elders who betrayed them, a squad of pregnant teens fights back with old magic.
Hendrix has a flair for applying inventive hooks to horror, and this book has a good one, chock-full with shades of V.C. Andrews, The Handmaid’s Tale, and Foxfire, to name a few. Our narrator, Neva Craven, is 15 and pregnant, a fate worse than death in the American South circa 1970. She’s taken by force to Wellwood House in Florida, a secretive home for unwed mothers where she’s given the name Fern. She’ll have the baby secretly and give it up for adoption, whether she likes it or not. Under the thumb of the house’s cruel mistress, Miss Wellwood, and complicit Dr. Vincent, Neva forges cautious alliance with her fellow captives—a new friend, Zinnia; budding revolutionary Rose; and young Holly, raped and impregnated by the very family minister slated to adopt her child. All seems lost until the arrival of a mysterious bookmobile and its librarian, Miss Parcae, who gives the girls an actual book of spells titled How To Be a Groovy Witch. There’s glee in seeing the powerless granted some well-deserved payback, but Hendrix never forgets his sweet spot, lacing the story with body horror and unspeakable cruelties that threaten to overwhelm every little victory. In truth, it’s not the paranormal elements that make this blast from the past so terrifying—although one character evolves into a suitably scary antagonist near the end—but the unspeakable, everyday atrocities leveled at children like these. As the girls lose their babies one by one, they soon devote themselves to secreting away Holly and her child. They get some help late in the game but for the most part they’re on their own, trapped between forces of darkness and society’s merciless judgement.
A pulpy throwback that shines a light on abuses even magic can’t erase.Pub Date: Jan. 14, 2025
ISBN: 9780593548981
Page Count: 496
Publisher: Berkley
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
BOOK REVIEW
BOOK REVIEW
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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