Gentle humor and sharp observation couched in straightforward prose with none of the preening preciosity so often seen in...
Wry, rueful tales of a Southern debutante’s mostly disappointing love life.
The unifying motif of Crouch’s debut is the Charleston Cotillion Training School, where South Carolina girls and boys of a certain class are taught ballroom dance in preparation for the girls’ coming out parties. Prominent among the debutantes are the Camellias, a sorority of women whose mission is to “prepare their daughters for marriage to a decent man.” For Sarah Walters and her friends Bitsy, Charlotte and Annie, Camellia membership will mark their most permanent attachment; it seems that for latter-day debutantes there’s a shortage of decent men. The novel is comprised of linked short stories, some veering off into the equally problematic amours of peripheral characters including Sarah’s brilliant older sister Eloise and their mother. After college, Sarah moves to New York City seeking a writer’s life. While working lowly editorial positions, she rooms with Charlotte, a fledgling fashion designer who’s in and out of rehab. Sarah’s man-that-got-away is blue-blooded Max, who “made money with money.” His casual cruelty is not tempered by any redeeming appeal, and Sarah’s intractable obsession with him beggars belief. She attempts, vainly, to settle for guys from home, or guys she thought of as just friends but was holding in reserve as fallback lovers. Annie, who never leaves Charleston, survives a relationship with a feckless artist to find love and financial stability. Bitsy marries money, which is scant consolation for her husband’s callousness—his infidelities persist as she dies of cancer. Charlotte chooses first drugs, then entrepreneurial success, over relationships. Sarah, finding at 31 that she’s “missed [her] window” of opportunity with the fallback guys, has a child by an extremely casual acquaintance. By age 35 she’s accepted the fact that neither she nor the men in her life will ever measure up to debutante standards.
Gentle humor and sharp observation couched in straightforward prose with none of the preening preciosity so often seen in Southern fiction.Pub Date: April 7, 2008
ISBN: 978-0-316-00211-0
Page Count: 240
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2008
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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