by Katie Hafner & Matthew Lyon ‧ RELEASE DATE: Aug. 1, 1996
A clear and comprehensive, though often flat, account of an important bit of scientific history.
Now that high school students are spending their spare time cruising the Internet, it's probably time the rest of us found out how the whole thing started.
Newsweek contributing editor Hafner (coauthor of Cyberpunk, 1991) and husband Lyon, who is assistant to the president of the University of Texas, begin their story back in the '50s, when President Eisenhower decided that basic scientific research was the quickest way to improve the nation's defense. The key instrument was the Advanced Research Projects Agency (ARPA), nominally part of the Pentagon. ARPA quickly acquired several advanced computers; when several scientists (notably J.C.R. Licklider and Robert G. Taylor) began to wonder why none of the computers could "talk" to the others, the seeds of the Internet were sown. Believing that advanced computing capacity was vital to the national defense, ARPA proposed connecting a number of computers through the phone system. A small Massachusetts company, Bolt Beranek and Newman, managed to win the bid; within a year, inventing almost everything from the ground up, they had managed to connect several college campuses on the West coast. Gradually, the ARPANET became the focus of an intensive development effort among computer scientists; but their goals were far different from the defense projects its creators had envisioned. Far-reaching decisions were made by the first person who happened to tackle the problem at hand. E-mail quickly took center stage, followed by newsgroups in which scientists with a common interest could exchange information and views. By the time the Defense Department decided to try to regain control, it was obvious that they had inadvertently created an entity no single authority could control. Within 25 years, the Internet had grown from an impossible dream to an indispensable scientific tool.
A clear and comprehensive, though often flat, account of an important bit of scientific history.Pub Date: Aug. 1, 1996
ISBN: 0-684-81201-0
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1996
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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