Don’t be put off by the canned tomato cover: This one’s a gem.
Ellis Kimball has faith in the imminent end of the world.
She’s failed her driving test twice because fears of hitting elderly pedestrians prevent her from even starting the car. She stockpiles survival gear and spends lunch period in the school library, the perfect place for a mass shooter—or Ellis herself—to hide. She loves her family but neither understands nor is understood by them. In her therapist’s waiting room, she meets Hannah, a girl from her class who says she knows when and how the world is going to end: on Dec. 21, during a freak San Francisco snowstorm, while Hannah and Ellis are holding hands. While Ellis makes flyers to warn everyone, Hannah enlists her help to find a homeless psychic called Prophet Dan, who she is certain will be able to help them. Ellis is a Latter-day Saint; her faith is as important to her as her survival, and her belief in Hannah feels holy. But Hannah is neither a mystic nor a saint. Told from Ellis’ probing, intelligent point of view, the story reaches a lovely, surprising conclusion that offers respect and healing for all concerned. Henry (Heretics Anonymous, 2018) writes witty dialogue, creates complicated characters, and treats different religious beliefs with sincerity and respect. Ellis and Hannah are white, and Hannah is lesbian. Secondary characters are broadly diverse.
Don’t be put off by the canned tomato cover: This one’s a gem. (Fiction. 12-18)Pub Date: Aug. 6, 2019
ISBN: 978-0-06-269890-2
Page Count: 400
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: April 15, 2019
Kirkus Reviews Issue: June 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
A heavy read about the harsh realities of tragedy and their effects on those left behind.
In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.
Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.
A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)Pub Date: Feb. 6, 2024
ISBN: 9781728276229
Page Count: 416
Publisher: Sourcebooks Fire
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
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