A real shot to the heart—a resonant portrait of a man out to prove he can take anything the world throws at him.
Down-on-his-luck fighter travels south of the border for the rematch of his life.
In her debut novel, journalist Kitamura indulges her interest in the mechanics of the mixed martial arts world with a sketch of two men at the edge of an emotional cliff. With throaty prose and peripheral detail, the author captures three decisive days in the lives of Cal, a wunderkind pugilist four years past a humiliating defeat, and Riley, Cal’s trainer and protector, who knows quite well what it’s like to spit out your own teeth. Their authentic, even touching partnership comes complete with the old arguments and terse verbal shorthand of longtime comrades. Their path has brought them back to the bloody rings of Tijuana for a rematch against Cal’s nemesis Rivera, a bloodthirsty, one-punch titan whose claim to the championship has brought him acclaim and affluence. Cal, meanwhile, has been on unsteady psychological ground ever since Rivera beat him four years ago. “Fighting was never easy again. He took some losses. He sat and waited for his head to get back into the game. He waited fight after fight and then it hit him how long he’d been waiting. It hit him, how far away the game had gone. He saw it for the first time and he was bewildered by it. That the whole thing could be so fragile. That it could fall away so quick.” The plot resolution is all but inevitable, the narrative short on momentum and long on self-realization, but Kitamura succeeds in penning a satisfactory addition to the canon of fight literature. While neither as heady as Chuck Palahniuk’s Fight Club nor as visceral as Craig Davidson’s The Fighter, this convincing meditation on combat skews admirably close to the stories of F.X. Toole as it plunges toward its harrowing ending.
A real shot to the heart—a resonant portrait of a man out to prove he can take anything the world throws at him.Pub Date: Aug. 11, 2009
ISBN: 978-1-4391-0752-2
Page Count: 224
Publisher: Free Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2009
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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