A dark tale of relationships, ambition, and revenge.
An art professor goes from predator to prey in this debut thriller.
In 2018, Max Durant, a once-acclaimed but now fading artist and art professor, is on a weekend trip to middle-of-nowhere Maine with Audra Colfax, his genius mentee. His plan? See how her thesis is getting along and finally consummate the sexual tension he’s sure has been sizzling between them since they met. Audra, on the other hand, is getting ready to spring a trap she’s been laying for years, with Max at the center. In 1988, a young instructor who goes by Juniper has returned to the Lupine Valley Arts Collective, a small camp in Maine that caters to artists of every type, and she’s ready to relax back into a place that’s like a second home. The addition of a new townie to the artist mix starts to shake things up, though, and Juniper's closest friend, Moss, is acting strangely. As all three will find out, the Lupine Valley is beautiful and hides its secrets very well. Exploring the story through Max's, Audra's, and Juniper’s points of view, as well as descriptions of Audra’s thesis, lets the narrative unfold easily and keeps the momentum up. This is much more of a howdunit than a whodunit; a curious reader will easily put the pieces together as they read. However, despite it being rather clear why things are happening, the question of how things are going to happen drives the reader forward. How is Audra’s trap going to unfold? What exactly did Max do to warrant this seeming revenge? And what happened between 1988 and 2018 for it to come to this? The ending will satisfy.
A dark tale of relationships, ambition, and revenge.Pub Date: Sept. 14, 2021
ISBN: 978-1-72822-984-3
Page Count: 416
Publisher: Sourcebooks Landmark
Review Posted Online: July 27, 2021
Kirkus Reviews Issue: Aug. 15, 2021
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
“Nasty little fellows…always get their comeuppance,” a movie character once said. Deeply satisfying.
Following the mysterious disappearance of his wife, a struggling London novelist journeys to a remote Scottish island to try to get his mojo back—but all, of course, is not what it seems.
Grady Green hits the pinnacle of his publishing career on the same night that his life goes off the rails—first his book lands on the New York Times bestseller list, and then his wife, Abby, goes missing on her way home. A year later, Grady is a mere shadow of his former self: out of money and out of ideas. So, when his agent, Abby’s godmother, suggests that he spend some time on the Isle of Amberly, in a log cabin left to her by one of her writers, it seems as good a plan as any. With free housing for himself and his dog and a beautiful, distraction-free environment, maybe he can finally complete the next novel. But from the very beginning, Grady’s experiences with Amberly seem weird, if not downright ominous: As a visitor, he’s not allowed to bring his car onto the island; the local businesses are only open for a few hours at a time; and there are no birds. At all. Not to mention the skeletal hand he finds buried under the floorboards of the cabin, the creepy harmonica music in the woods, and the occasional sighting of a woman in a red coat who’s a dead ringer for Abby. As Grady falls deeper and deeper into insomnia and alcoholism, he begins to realize his being on the island is no accident—and that should make him very afraid. Through occasional chapters from before Abby’s disappearance, told from her point of view, we learn that Grady is not necessarily a reliable narrator, and the book’s slow unfolding of dread, mystery, and then truth is both creative and well-paced. Every chapter heading is an oxymoron, like the title, reminding us of the contradictions at the heart of every story.
“Nasty little fellows…always get their comeuppance,” a movie character once said. Deeply satisfying.Pub Date: Jan. 14, 2025
ISBN: 9781250337788
Page Count: 320
Publisher: Flatiron Books
Review Posted Online: Oct. 10, 2024
Kirkus Reviews Issue: Nov. 15, 2024
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