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DARK THINGS I ADORE

A dark tale of relationships, ambition, and revenge.

An art professor goes from predator to prey in this debut thriller.

In 2018, Max Durant, a once-acclaimed but now fading artist and art professor, is on a weekend trip to middle-of-nowhere Maine with Audra Colfax, his genius mentee. His plan? See how her thesis is getting along and finally consummate the sexual tension he’s sure has been sizzling between them since they met. Audra, on the other hand, is getting ready to spring a trap she’s been laying for years, with Max at the center. In 1988, a young instructor who goes by Juniper has returned to the Lupine Valley Arts Collective, a small camp in Maine that caters to artists of every type, and she’s ready to relax back into a place that’s like a second home. The addition of a new townie to the artist mix starts to shake things up, though, and Juniper's closest friend, Moss, is acting strangely. As all three will find out, the Lupine Valley is beautiful and hides its secrets very well. Exploring the story through Max's, Audra's, and Juniper’s points of view, as well as descriptions of Audra’s thesis, lets the narrative unfold easily and keeps the momentum up. This is much more of a howdunit than a whodunit; a curious reader will easily put the pieces together as they read. However, despite it being rather clear why things are happening, the question of how things are going to happen drives the reader forward. How is Audra’s trap going to unfold? What exactly did Max do to warrant this seeming revenge? And what happened between 1988 and 2018 for it to come to this? The ending will satisfy.

A dark tale of relationships, ambition, and revenge.

Pub Date: Sept. 14, 2021

ISBN: 978-1-72822-984-3

Page Count: 416

Publisher: Sourcebooks Landmark

Review Posted Online: July 27, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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THE DIVORCE

Trust no one in this over-the-top tale of deception and revenge.

Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.

The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.

Trust no one in this over-the-top tale of deception and revenge.

Pub Date: May 26, 2026

ISBN: 9781464249631

Page Count: 368

Publisher: Poisoned Pen

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

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IT COULD HAVE BEEN HER

A haunting, timeless exploration of the evil men do—and the imprint it leaves behind.

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A middle-aged woman channels her best Miss Marple when she finds herself facing a nightmare from her past as she seeks to make sense of her present.

Jane Trevally is at a crossroads of sorts. After a traumatic childhood, she sought safety and solace in marriages with wealthy men. Now twice divorced and living with her four dogs in the crumbling English country mansion that is her birthright, she’s feeling the need to do something, to take a job, when one day a runaway dog turns up on her doorstep. The dog is chipped, and with the help of a local vet and her loyal stepson, Dexter Lombardi, Jane traces the dog’s home to the edge of Hampstead Heath, in London—a place that brings back the memory of a terrifying night from her youth, when a handsome man picked her up and took her back to this very house. Everything there felt wrong; she just managed to escape, certain that if she had stayed, she would have died that night. Now, soon after knocking on the door and returning the dog, she discovers that he had run away from an Airbnb near her house, where he had been staying with a young woman who seems to have disappeared. With the help of Dexter; his father, Tony, her second ex-husband; Tony’s former security enforcer, Tobias Wilson; and her own gift for connecting with people, Jane sets out to find the woman, taking her first steps on the path to becoming a private investigator. While Jane serves as the heart of the novel, Jewell also narrates chapters from several other characters’ points of view, all of which chip away at the horror that is the house on the Heath. By slowly revealing past and present simultaneously, Jewell keeps the mystery fresh as she plays with Gothic tropes and the timeless imagery of “a house of horrors” embodying human sin. She doesn’t flinch from exploring the depths of depravity in this house—and its humans.

A haunting, timeless exploration of the evil men do—and the imprint it leaves behind.

Pub Date: June 23, 2026

ISBN: 9781668033906

Page Count: 384

Publisher: Atria

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

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