A gifted young Princeton University graduate student, daughter of novelist Anne Roiphe, defies current campus-based feminist assumptions, questioning the phenomena of date rape, hate speech, ``Take Back the Night'' marches, and the basis for the popularity of feminist legal scholar Catharine MacKinnon (see above). At the heart of Roiphe's critique is a sense of betrayed promise: Growing up, she believed that feminism is ``something like a train you could catch and ride to someplace better''—a tool for freedom and not simply a matter of ``Take Back the Night marches and sexual harassment peer-counseling groups,'' of ``being angry about men,'' and of ``arguments and assertions that could not be made'' because they had been judged politically incorrect by feminists. (``You could not say that Alice Walker was a bad writer,'' for example, Roiphe says.) Drawing in detail on her own undergraduate academic and social experiences at Harvard, she argues persuasively that a sort of feminist orthodoxy accompanied by mass hysteria has sprung up on campus, in which incidents of date rape have been hallucinated or fabricated, common language has become grotesquely politicized, and the concept of ``sexual harassment'' has grown to be a bloated form of self-pity. In an especially interesting chapter on the lectures of Catharine MacKinnon, Roiphe tries to break through what she calls ``a closed belief system that is closer to religion than law''—failing to take into account, however, that the current beliefs that inform legal rulings are exactly what MacKinnon is aiming to change. Roiphe's perspective is limited but highly intelligent; and her most telling point is a well-documented dislike of a tendency in feminist rhetoric to place women back in the role of naive victim— a role her mother's generation worked hard to overcome. A brilliant young contrarian voice, Ö la Mary McCarthy. (First serial to The New York Times Magazine)
Pub Date: Sept. 22, 1993
ISBN: 0-316-75431-5
Page Count: 176
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1993
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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